[Photo: Jonathan Vahid] 

New album Memory Theater due 30th September via MNRK Heavy

"bursts of unthinkable sonic rage that still manage to keep the listeners rapt with their density and dynamics...Escuela Grind’s misanthropy as enjoyable and intelligent as it is unending." - Kerrang!

"discombobulating drum patterns and staccato guitar chugs...enough force to level an office park." - Revolver

Fast-rising metallic hardcore/grindcore group Escuela Grind have streamed their new single 'All Is Forgiven', taken from their new album, Memory Theater, set for release on 30 September via the band's new label home of MNRK Heavy.

Watch the video for 'All Is Forgiven' here: https://www.youtube.com/watch?v=8I73jI_kQng

Pre-order Memory Theater now here: https://escuelagrind.ffm.to/memorytheater

Described by the band as "a skull cracker", the video for 'All Is Forgiven' is directed by Michael Jari Davidson (Alice in Chains), and blends reality with virtual reality.

Produced by Converge guitarist/ God City producer Kurt Ballou, Escuela Grind's Memory Theater features nine tracks of sharp, scorching underground music that rage and rip in equal measure. Escuela Grind excel at stitching together a new metallic hardcore monster, borne from the rotten corpses of grind and power violence and littered with gleefully unhinged blasts of percussive bombast and chaos.

The music might be terrifying, but the overwhelming spirit behind Escuela Grind is a message of empowerment. As it destroys musical boundaries, the quartet attack the idea of “gatekeeping” with equal ferocity. Any time Katerina Economou (vocals), Jesse Fuentes (drums), Kris Morash (guitar), and Tom Sifuentes (bass, touring) convene, an aural apocalypse will ensue.

Memory Theater, Escuela Grind's sophomore album, is seven minutes shorter than Slayer’s Reign in Blood, but with a few songs running past the three-minute mark, it’s downright epic by grindcore norms. Delivering on the promise of several split records, a handful of EPs (including GGRRIINNDDCCOORREE and PPOOWWEERRVVIIOOLLEENNCCEE, both released in 2020), and the full-length, Indoctrination, the nine songs on Memory Theater offer a near-psychedelic trip to the genre’s soul. The album title references a specific historical concept, constructing a “space” from one’s internal ideas, knowledge, and perception. An architect by trade, Economou explores philosophy, politics, and experiential experimentation, building a kind of structure amidst the band's musical cacophony.

For more information on Escuela Grind:
Facebook || Website || Twitter || Instagram || MNRK Heavy

Track listing:

1. Endowed With Windows
2. My Heart, My Hands
3. Cliffhanger
4. Strange Creature
5. Faulty Blueprints
6. All Is Forgiven
7. Forced Collective Introspection
8. The Feed
9. Memory Theater

US metal quartet Of Virtue have unveiled a visualiser for new single 'Cold Blooded', taken from their Sinner EP released today via Arising Empire.

Watch the visualiser to 'Cold Blooded' here: https://youtu.be/cdmnBNvveCk

Stream / Purchase the Sinner EP here: https://ArisingEmpire.lnk.to/SinnerEP

Vocalist / guitarist Damon Tate commented on the Sinner EP: "For us the creative process was one of vulnerability, reflection, and intensity. We were able to dig deeper and go to darker places than ever before - and you'll hear that on this new release compared to anything we've ever done. The next chapter for Of Virtue starts now with the Sinner EP."

Produced by Andrew Baylis (Sleeping With Sirens) & Evan McKeever (VRSTY), mixed and mastered by Dan Braunstein, known for his work for Spiritbox, Dayseeker, Volumes, and visualised by Dana Willax & Orie McGinness (Bad Omens, Wage War, Kingdom of Giants), this blistering new track hits you straight in the face and leaves no doubt that this four-piece is on the cusp of blowing up.

Watch previous videos here:

'Sinner': https://youtu.be/0B6NLYcDcv8
'Hypocrite' https://youtu.be/O3FUbedB6hc

Of Virtue combine an eclectic taste for the melodic with a catchy and ethereal foundation in heavy music, a penchant for punishing breakdowns, and immolating riffs. They define themselves as a multifaceted, diverse and engaging act that draws on influence from metal and alternative music of all genres, to create something that any type of fan can fall in love with.

Progression, or more generally, change, is a constant in music; in order to adapt and survive, you must grow and develop - and no band knows that more than midwestern metal act Of Virtue.
What began as a humble, promising metalcore act born from the blistering chill and barren fields of mid-Michigan, erupted into an internationally recognised and critically acclaimed alternative powerhouse. From opening slots on regional metalcore tours to reaching #28 on Billboard’s Current Hard Music chart, performing in over 30 countries across three continents and accruing a staggering six million streams on Spotify alone, Of Virtue’s growth is nothing short of jaw-dropping.

Of Virtue were formed in 2008 and catapulted themselves into the Michigan metalcore scene in 2009 with their debut EP To Breathe Again. Combining elements of melodic hardcore and metalcore into a mosh-friendly and energetic amalgam, the band almost instantaneously cemented themselves as a staple within their local scene.

In the months that would follow, the band would create and release their debut full-length record, Heartsounds (2011), followed by an extensive regional touring cycle. Heartsounds saw Of Virtue expand on their sound with lyrics speaking of positivity and determination, all of which was underscored by a blend of metalcore that was both vicious yet passionate and inspiring. By 2015, the band would release Salvation, a sprawling and ambitious example of meticulous melodic metalcore which would earn them nationwide attention as a promising, prodigally talented metal act. Shortly thereafter, Of Virtue released their third full length record, What Defines You in 2019.

What Defines You saw a marked incorporation of alternative rock and hard rock into their backbone of bold, robust metalcore with an overwhelmingly positive message. The result was a release that would launch them into the stratosphere of heavy music. Even in the setting of a global pandemic, Of Virtue continue to blossom worldwide, accruing new listeners and fans in countries tens of thousands of miles away and expanding their reach even in a time where live performances were all but impossible.

Of Virtue are:
Tyler Ennis | vocals
Damon Tate | guitar & vocals
Michael Valadez | guitar
Ryan Trinh | drums

Of Virtue online:
Website || Facebook || Twitter || Instagram || TikTok

Eternity to be released 21st October via Unique Leader

'The Horror ov the Old Gods' streaming now

New York, USA deathcore band A Wake In Providence have announced their huge new record Eternity, to be released 21st October via Unique Leader Records.

The highly-rated quartet have also streamed their new single, 'The Horror ov the Old Gods', which you can watch here: https://youtu.be/rLRZdYEPQdc

Stream and pre-order Eternity here: https://orcd.co/eternityawip

The band comment: "'Eternity is the album I’ve wanted to write for years but the time wasn’t right and now it is. This album is extremely personal and close to us for that exact reason. It tackles some serious issues around mental health that I feel don’t get addressed often and need to be through the lens of dark story. Everything in this album comes directly from experience, such experience that other people should not feel alone in. This is the culmination of all things I have wanted to do from a musical and lyrical standpoint for years and a true testament to patience and perseverance from a time perspective. I’m so excited for this chapter of AWIP with Unique Leader on our side, and want to say thank you to everyone for being patient with us on this journey! We Are Eternity."

Formed in 2010 from unremarkable beginnings, A Wake In Providence diligently grew to become the renowned and otherworldly force they are today. Originally a heavier-than-your-average deathcore act, the band’s debut 2010 demo and 2012 debut EP Serpents saw them infusing a raw and ruthless take on traditional deathcore with contemporary metallic elements to make something sharp enough to cut its way through the thicket of bland, boring heavy music acts. While Serpents gained the band notoriety in their local area, it wasn’t until the release of their sophomore EP, Insidious, that the band went from prodigally talented to true rising stars in the heavy music community. Adding a liberal dose of downtempo deathcore to their instrumental stylings, Insidious earned the band global infamy and critical acclaim, as well as tours with some of the underground’s bigger names-including In Dying Arms, Extortionist and Lorna Shore, as well as several smaller solo runs along the East Coast.

Never ones to remain complacent, A Wake In Providence grew once more in 2016, with the addition of Will Ramos (now with Lorna Shore), but also with their drastic stylistic change, omitting their penchant for low, slow downtempo deathcore in favour of a renewed focus on more aggressive, fast and furious traditional deathcore elements with a razor-sharp technical twist. Combining marvellous metallic riffs with crushing breakdowns and shrill, sinister vocals to create an intense onslaught unlike any other band in the heavy music scene, A Wake In Providence are vile enough to make the sewers look clean, and vicious enough to tear the still-beating heart out of the listener's chest.

Now a quartet with new vocalist Adam Mercer and signing with the legendary Unique Leader Records, A Wake In Providence's status looks set to only rise further.

A Wake In Providence are:

Adam Mercer - Vocals
D’Andre Tyre - Guitar/Orchestration/Vocals
Jordan Felion - Guitar
Jesse Mcenneny - Drums

A Wake In Providence online:
Facebook

Unique Leader Records online:
Website || Facebook || Twitter || Instagram || YouTube

1 An Odyssey Through The River (Overture)
2 The Horror ov The Old Gods
3 We Are Eternity
4 Siamo Legati Dal Terrore
5 The Hunt ov The Wraith (First Movement)
6 The Book ov The Eldritch (Second Movement)
7 The Court ov The Trinity (Final Movement)
8 Weep into The Abyss, For it Hears You Not…
9 Vicious Attenuation

Photo Credit: Tobias Ade

'Weaver' out now via Arising Empire

German duo FLOYA have released a video for their new single 'Weaver', out now via Arising Empire. Delving into darker territory, the lyrics of 'Weaver' offer a perspective on emotional ambivalence, which contrasts with the band's signature upbeat sound.

Check out the video for 'Weaver' here: https://youtu.be/s3QOOT00JiQ

Stream/purchase 'Weaver' here: https://arisingempire.com/weaver

Vocalist Phil Bayer comments:

"'Weaver' is a very personal song to me, in which I’m opening up about the very real demons haunting almost every artist, including myself. I think it’s nearly impossible to get rid of your shadows completely, this can have a variety of reasons. In my case they’re almost necessary, because of the emotion they cause. While that emotion is mainly hurtful, I’ve learned to use it to create things, it’s fuelling me a lot. I guess it’s all about finding and keeping balance."

Rising from the ashes of ALAZKA and Time, The Valuator, FLOYA blend modern EDM elements with poppy hooks on their previous single 'Wonders'. After carving a name for themselves as the founders and songwriters of their previous acts, Phil and Marv are on a journey of their own, exploring a vast array of genres and following one simple mantra: There are no limits. With this statement engraved on their minds, FLOYA strive to create something bigger than themselves, taking listeners on an unforgettable adventure.

FLOYA are:
Phil Bayer | vocals
Marv Wilder | guitar

For more information:
https://www.instagram.com/floyamusic
https://www.facebook.com/floyamusic
https://www.tiktok.com/@floyamusic
https://twitter.com/floyamusic

Band picture credit: Bylgja Guðjónsdóttir Thorlacius

'Gestaþáttr' single / video streaming now

Fórnspeki LP to be released 28th October via Season of Mist

Neofolk outfit Vévaki have released their spellbinding new single, titled 'Gestaþáttr'.

The song is taken from the group's new album Fórnspeki, which will be released 28th October via Season of Mist.

View the video for 'Gestaþáttr' here: https://youtu.be/5aWMF7rIVsg

Pre-orders for Fórnspeki are now available here: https://redirect.season-of-mist.com/vevaki-fornspeki

Originally a solo project by singer and multi-instrumentalist Will Hunter, Vévaki are a folk band which draw from Nordic heathenism and animistic traditions. Myth, ritual and a connection with the natural world inform Vévaki’s music, which is both contemporary in sound and wide-ranging in instrumentation.

Vévaki released their debut album Edda in 2020 - although still a solo project by that point, Edda included contributions from Sigurboði Grétarsson and Florian Baudrain. Taking a collection of Old Norse poetry – the Poetic Edda – as its source material, Edda breathes new life into these stories through its musical journey, at once beautiful and hypnotically heady.

Vévaki’s second album, Fórnspeki, finds the group expanding upon their sound while also staying true to their folk roots and traditions. Sigurboði Grétarsson has now joined Vévaki as a full-time member, alongside Gísli Gunnarsson and Hrafnhildur Inga Guðjónsdóttir. The new material is, says Will Hunter, broader and more mature in sound.

“Vévaki is very much based in our modern heathen tradition,” Will notes. “Sigurboði and I had been playing music for a while and we have used music as part of our personal spiritual practise. We had worked on some songs together but they were very much personal. Then we had a jam session in this cave in Iceland and afterwards we tried to record a song. I asked if Sigurboði would feature on it and he said yes, thankfully. Then I went home and used my home recording equipment to do a song which we sent to Danheim (Danish folk musician) and he put me on his online record label. And that’s how Vévaki started. We did a full album from there. Sigurboði featured heavily on it, even though he wasn’t in the band in any official capacity. But he did lots of drums and vocals and stuff like that.”

Vévaki employ various stringed instruments and percussion throughout their music, its dynamics buoyed by the complementary vocal styles of Will, Sigurboði and Hrafnhildur and the cinematic soundscapes sculpted by Gísli Gunnarsson. This comes to the fore on Fórnspeki.

“We decided to go a bit bigger,” says Will. “We started working on the second album and we brought in Gísli, and the sound has changed quite a bit, I think. It’s much more mature now. In my opinion, Gísli is the glue that holds us together. He comes from a modern classical background. And Hrafnhildur was an obvious choice, to add an important female dynamic. Her voice has a healing quality to it, I think, and that’s a big thing with the new album.”

Ritual and spiritual practises provide a structure to Fórnspeki. “Our practice is very animistic,” says Will. “But you don’t have to be a super spiritual person to feel some sort of connection to nature. And we just hope that whoever is listening finds that our music brings some sort of connection for them."

Sigurboði adds, "Fórnspeki was composed around this concept of the ritual and of the performance. There will be a performance and ritual on stage, because that’s how the songs are imagined. And some of the songs came from rituals that we’ve done or have spawned from the rituals. For example, the song ‘Dísablót’ is based around a ritual that we would do. It’s got lots of chants in there that we would do and we hope that other people might be inspired. On this new album we have a lot of original lyrics. But it’s both based in the myth and the practice. It’s not all about the gods but also about the worship and the ritual.”

Vévaki is a fluid and resourceful project, employing traditional and contemporary instrumentation of various origins.

“We’re not going for historical accuracy,” points out Sigurboði. “We’re not married to the idea that it has to be a Nordic instrument. We’re not Vikings. We’re not the Shamans, or the Priests. We are the practitioners, the regular folk making the offerings.”

Adds Will, “We are trying to step away from that whole Viking thing. There are modern songs for modern beliefs. We put a lot of emphasis on that.”

Vévaki are:

Will Hunter: Vocals, lyre, taglharpa, drums, pontian lyra
Sigurboði Grétarsson: Vocals, lyre, taglharpa, drums
Hrafnhildur Inga Guðjónsdóttir: Vocals
Gísli Gunnarsson: Production, arranging, sound design

For more information:

www.instagram.com/vevaki
www.facebook.com/Vevakimusic
www.vevaki.bandcamp.com
www.youtube.com/c/Vevaki
https://open.spotify.com/artist/7FPVyMPgKKiNzvMwTEDfKh?si=x4wtYo2GRkuQWJLsiFjiXw

Tracklisting:

1. Brynhildarljóð
2. Heimdalagaldr
3. Hreingálknir
4. Jötnablót
5. Griðastaðr
6. Dísablót
7. Gestaþáttr
8. Vitrun
9. Varðloka

Credit: Axel Winkler/ Blackened Cult Photography

conic to be released 28th October via Season of Mist

Music video 'Devotion' is streaming now

Modern progressive metallers Obsidious, featuring ex-members of Obscura, have announced the details of their forthcoming full-length debut album Iconic, set for release on the 28th October via Season of Mist.
Pre-order Iconic here: https://orcd.co/obsidious-iconic
Alongside the announcement of their debut album, the band have released a music video for their single 'Devotion' which is taken from the upcoming album; which can be viewed here: https://youtu.be/uO0h6D3-Z-U

The new song is the fifth single to be released from Iconic, following on from 'Under Black Skies', 'Sense Of Lust', 'Iconic' and 'Bound By Fire'.

Obsidious comment on the single: “This song is about cults, basing the story on one of the most controversial cases of the late 1970s. In this song there are two distinct voices that reflect the character of each of the protagonists: the raspy voice of the cult leader and the melodic, desperate voice of the follower trying to flee the place.”

Wonderfully intricate and musically-accomplished, Iconic is technical but not officious. The group—featuring Linus Klausenitzer (bass), Rafael Trujillo (guitars), Sebastian Lanser (drums), and Javi Perera (vocals)—come from distinguished and lettered origins in Obscura, Alkaloid, Eternity’s End, and Juggernaut. Obsidious, however, are a different creature entirely.

Obsidious crystallised after Klausenitzer, Trujillo, and Lanser departed amicably from fellow German tech-metallers Obscura in 2020. Named after black volcanic glass, the group’s moniker exudes something dark, of fiery origin, in a state of final transformation. Metaphorically, the name Obsidious offers a nearly limitless platform for expression and advancement. However, it was only when the trio brought on newcomer Perera—whose growls and full-toned voice are first-rate—were the multi-national outfit officially codified. Interestingly enough, the newly-joined frontman couldn’t even meet his bandmates while the band wrote, recorded, and filmed videos for Iconic due to the pandemic. Yet, the technologically-apt foursome made it work.

“We consider ourselves the modern evolution of progressive and technical metal,” bassist Linus Klausenitzer says. “To name a few bands: Dream Theater, Devin Townsend, Meshuggah, Opeth, Between the Buried and Me, Protest the Hero, Periphery, and Haken. As such, our music asks for many different moods and vibes. Javi’s vocals reinforce that idea, adding meaning and drama to it. While we still work as session musicians, Obsidious is now our main priority.”

Throughout Iconic, Obsidious impress with their artistic inventiveness and creative expanse. The album breathes intensity but expands upon it with mellifluent dexterity. With Obsidious, there’s always a hook. The early release of and positive feedback from previous video singles illustrates these qualities well. Iconic builds upon a prestigious foundation, but its vision isn’t restricted to its tenets.

“This album does not have a concept per se in terms of lyrics or an underlying storyline,” vocalist Javi Perera comments. “The songs on this album touch on subjects of diverse nature, and there are even some songs that narrate personal experiences. But what I can consider as a common denominator in the album is the absence of constraints on a compositional or stylistic level, allowing us the freedom to shift between different musical genres as long as the song requires it. I always consider that we, as artists and musicians, are at the service of the music and not the other way around.”

Obisidious are ready to deploy their unique brand of hooky neoteric metal on Iconic. From Trujillo’s wickedly clever riffs and Lanser’s artful drumming to Klausenitzer’s superb counterpoint and Perera’s soaring vocals/venomous spits, songs like 'Under Black Skies,' 'Iconic,' 'Bound by Fire,' and 'Nowhere' brim with cool calculation and aggressive spontaneity. They storm normality not only musically and lyrically. The monolithic cover piece by French graphic artist Adrien Bousson (Rotting Christ, Khonsu) also transcends convention. Obsidious are poised for a breakthrough on Iconic. Prepare for metal’s modern metamorphosis!

Obsidious are
Linus Klausenitzer - Bass
Rafael Trujillo - Guitar
Javi Perera - Vocals
Sebastian Lanser - Drums

Obsidious online

Website || Facebook || Instagram || Youtube

Track-list:

1. Under Black Skies (6:00) [WATCH]
2. Sense Of Lust (4:18) [WATCH]
3. Iconic (6:40) [WATCH]
4. Bound By Fire (5:12) [WATCH]
5. Iron & Dust (6:01)
6. I Am (6:56)
7. Delusion (4:55)
8. Devotion (4:59) [WATCH]
9. Nowhere (4:18)
10. Lake Of Afterlife (3:57)
Total: 53:16

Corporation album out 16th September via Arising Empire

'Paradox' video out now

Swedish alternative metal act AVIANA have released a video for new single 'Paradox', a track that tackles the stigmatised topic of substance abuse. 'Paradox' also features guest vocals from AVIANA's former vocalist and Invent Animate's current singer Marcus Vik. New album Corporation is due out 16th September via Arising Empire.

Watch the video to 'Paradox' here: https://youtu.be/4TtwINmoBG4
Stream here: arisingempire.com/paradox

Pre-orders for Corporation available soon.

On the new single, vocalist Joel Holqvist explains:

"Being in a state where you’re trapped in self-medication is hard to get out of. It feels like there’s nothing else that can help you besides the substances you abuse, as you're being drawn to like-minded people who keep dragging you down the rabbit hole. I wrote this song to lift that subject and help others that have experienced the same thing. Once you are in that spiral that keeps going down and feels like a bad dream, it feels like a paradox."

AVIANA made a big impact on the global metalcore scene with their return in February 2021. Led solely by vocalist Joel Holmqvist as a consequence of past members leaving the band, Holmqvist has exceed all expectations and taken the band further down the path for greatness.

One of the band's previous singles, 'Obsession', released in January made it into the headlines, placing the band at the number one spot on Spotify's biggest Metalcore playlist New Core and later on also featured on the Top Of The Core playlist on the same platform. Being picked up by all major digital streaming platforms such as Apple Music, Amazon Music, Youtube Music and Deezer affirms the band as one of the most important in their scene.

'Paradox' follows previous singles 'Anomaly', 'Obsession', 'Transcendent', 'Rage', 'Oblivion', 'Overcome' and 'Retaliation'.

Speaking on the album, Holmqvist concludes:

"There is an album coming in September, finally. But I never wanted to have people sit around and wait for new AVIANA music. Instead I’ve been working continuously to try and get new stuff out there for the fans. You should consider this album more of an ‘Collection of Singles’ rather than something else. There will be new songs on the album which haven’t been released yet, but also songs that we’ve already put out since 2021 will be on the album.”

AVIANA ARE:
Joel Holmqvist - vocals
Death - guitar
Fear - guitar
Dark - drums

For more information:
http://www.avianaofficial.com
http://www.facebook.com/avianaswe
http://www.instagram.com/avianaswe

Tracklisting:

01. Curriculum
02. Obsession
03. Rage
04. Paradox
05. Oblivion
06. Retaliation
07. Anomaly
08. Transcendent
09. Illuminate
10. Overcome
11. Negligence

Banefyre album out 9th September 2022 via Season of Mist

Crippled Black Phoenix are proud to unveil the third new track, 'Bonefire', taken from the upcoming album Banefyre. The new full-length is set for worldwide release on 9th September 2022 via Season of Mist.

Listen to the track here: https://youtu.be/FLvkB67NVTc

Vocalist / percussionist Belinda Kordic comments: "'Bonefire' is targeted at the politicians, who’re some of the wealthiest people around, and also the most un-empathetic sons of bitches towards the poorest and most vulnerable in our society. These people in government have the power to change things around, make a difference, but they choose not to. It’s an ideological choice they make. The bottom line is.. these people just don’t give a hoot about anything but themselves. They are not all bad. But there sure are some rotten eggs. Chuck em on a fire of bones and let them contemplate on their actions for a while.

Ps! No politicians were hurt during the making of this song."

Band leader Justin Greaves comments: "This song makes so much sense to me. When Belinda told me what it’s about and sent me the lyrics, I saw how pissed off she is at the way things are with the ruling class. And so am I. And so are a lot of people. I mean, the song was written two years ago, and it was bad then, but now, especially here in the UK it has reached a new low when it comes to the massive class divide and the utter contempt the dumb government scumbags show to people. The people who are supposed to be taken care of. I personally think we should burn the whole damn political system down. Throw the politicians on the fire and cleanse the energy of the world."

Pre-orders are live here: https://shop.season-of-mist.com/list/crippled-black-phoenix-banefyre
The album can be pre-saved here: https://orcd.co/cbp-banefyre

Watch the video to previous singles here:

'Blackout 77' here: https://youtu.be/_yl7QIvD6n4
'Everything Is Beautiful But Us': https://www.youtube.com/watch?v=07XHKXhfah0

Crippled Black Phoenix have announced new European tour dates in support of the new album, together with labelmates Impure Wilhelmina and MØL. A full list of confirmed shows can be found below:

25.08.22 Germany Hannover @ Faust
26.08.22 Germany Hamburg @ Bahnhof Pauli
27.08.22 Denmark Copenhagen @ Hotel Cecil
28.08.22 Germany Berlin @ SO36
29.08.22 Germany Leipzig @ Täubchenthal
30.08.22 Germany Munich @ Backstage
31.08.22 Hungary Budapest @ A38
01.09.22 Austria Vienna @ Chelsea
02.09.22 Italy Bologna @ Link
03.09.22 Switzerland Winterthur @ Gaswerk
04.09.22 France Paris @ Backstage
05.09.22 Germany Cologne @ Essigfabrik
06.09.22 Netherlands Zoetermeer @ Boerderij
07.09.22 UK London @ The Dome
08.09.22 UK Bristol @ The Fleece
09.09.22 UK Manchester @ Rebellion
10.09.22 UK Glasgow @ Classic Grand

Crippled Black Phoenix are:
Justin Greaves : Guitars, Drums, Bass, Samples, Saw
Belinda Kordic : Vocals, Percussions
Helen Stanley : Grand Piano, Synthesisers, Monochord, Trumpet
Andy Taylor : Guitar, Baritone Guitar, 12 String Guitar
Joel Segerstedt: Vocals, Guitar

Crippled Black Phoenix online:
https://crippledblackphoenix.net
https://www.facebook.com/CBP444
https://www.instagram.com/cbp_444

Track listing:

1. Intro/Incantation For The Different
2. Wyches And Basterdz
3. Ghostland
4. The Reckoning
5. Bonefire
6. Rose Of Jericho

1. Blackout77
2. Down The Rabbit Hole
3. Everything Is Beautiful But Us
4. The Pilgrim
5. I'm OK, Just Not Alright
6. The Scene Is A False Prophet
7. No Regrets

Photo: Nick Fancher

'Eye Of The Storm' single / video streaming now

Hard rock group Pop Evil have announced a string of UK and EU tour dates this autumn. The Vortex tour will take the band throughout the UK, as well as stops in France, Belgium, and Germany.

On the upcoming tour, Pop Evil's frontman Leigh Kakaty shares:

"We are beyond excited to bring our Vortex Tour to Europe, with so much new Pop Evil music being created, we can't wait to play it live for all of you! Let's go!"

Tickets go on general sale on Wednesday 10th August at 9am here: www.popevil.com.

The Vortex tour dates below:
UK
01.11.22 - King Tuts, Glasgow
02.11.22 - Rebellion, Manchester
03.11.22 - O2 Institute 2, Birmingham
05.11.22 - Tufnell Park Dome, London
EU
07.11.22 - Trabendo, Paris, France
08.11.22 - Biebob, Vosselaar, Belgium
09.11.22 - Logo, Hamburg, Germany
11.11.22 - Backstage Club, Munich, Germany
12.11.22 - Im Wizemann Club, Stuttgart, Germany
14.11.22 - Luxor, Cologne, Germany
15.11.22 - Nachtleben, Frankfurt, Germany
16.11.22 - Patronaat, Haarlem, Germany

The band recently released their newest single 'Eye of Storm' with an accompanying music video directed by Sam Sharpiro, available to watch here: https://youtu.be/U9jGRtmCsNQ

The rock track is a powerful number that conveys the chaos of a hurricane through dark, electric instrumentals with a pummelling, chaotic metal maelstrom that contains an uplifting message at its centre. The video is an allegory of the song’s meaning and paints a picture of the storm with rapid, flashing lights and rain flooding the scene.

Pop Evil have massive anthems and built a new rock’n’roll institution on a foundation of showmanship, raw relatability, and hard rock hooks, both forward-thinking and timeless from frontman, Leigh Kakaty, lead guitarist Nick Fuelling, rhythm guitarist Dave Grahs, bassist Joey "Chicago" Walser and drummer Hayley Cramer. No matter the headline-grabbing declarations from legendary icons, lamenting the changing of the guard, the slow-burning success of Pop Evil demonstrates the hunger for hard-hitting honest music persisting worldwide.

Their 2011 album, War of Angels debuted at #8 on Billboard Top Rock Albums with three singles landing on Billboard’s Mainstream Rock Top 10 including 'Last Man Standing', 'Monster You Made' and 'Boss’s Daughter.' The momentum continued with their 2013 album Onyx, landing them on the Top 40 of the Billboard 200 for the first time, plus it was #9 on the Billboard Independent Albums in America and #25 on the Billboard 200. The album included three #1 Billboard Mainstream Rock singles with 'Trenches' 'Deal with the Devil' and 'Torn to Pieces.' In 2015, the band released their album, UP, which would make its way to #1 on Billboard Independent Albums, with four Top 5 Billboard Singles such as 'Ways to Get High,' 'Take It All,' and 'If Only for Now'. The hit single, 'Footsteps' is still one of the biggest songs to date and returned Pop Evil to Billboard’s #1 spot for four weeks. Their 2018 self-titled album landed three singles on Billboard Mainstream Rock, 'Waking Lions' at #1 with 'Be Legendary' peaking at #2, and 'A Crime to Remember' peaking at #7. Pop Evil just celebrated their 7th career #1 single in late 2021 with 'Survivor' on Billboard’s Mainstream Rock Chart marking a historic milestone. 'Survivor' joins the previous Top 10 single 'Work,' and #1 single 'Breathe Again,' from their album VERSATILE, out now via MNRK Heavy. Over the course of their career, the band has achieved four gold singles with 'Torn to Pieces,' and 'Trenches' from Onyx, 'Footsteps' from UP and, '100 in a 55' from their debut studio album, Lipstick on the Mirror.

Pop Evil online:
www.popevil.com
www.facebook.com/popevil
www.twitter.com/popevil
www.instagram.com/popevil