Photo Credit: Sai Ratan

Metallic hardcore quartet R.A.I.D have released their new single 'Aftermath', using their platform to shine a light on mental health, and more specifically the topic of suicide. The track is the first offering from their upcoming EP Dominion, due to release on 4th April.

Watch the music video here: https://youtu.be/EyHJVPkIZZs

Stream the song here: https://distrokid.com/hyperfollow/raid16/aftermath

Vocalist Rueban Issac comments: "'Aftermath' is a song that aims to help suicide survivors cope with the loss of a loved one, and details out a path to recovery. Given the social stigma associated with suicide, most survivors are unable to cope with their loss as they are forced into an individualistic mode of grieving, making the healing process even more difficult."

On the EP Dominion, Issac elaborates: "R.A.I.D has always been a band focused on lyrically sharing a positive/motivational/uplifting message. Our new offering Dominion is musically and lyrically charged to prevent a person from ending their life. We have seen some of our close and dear friends who have gone through the worst in their life and chose death as the final solution. This has fueled us to create an EP with an intent to heal and help people in finding the right support. Dominion takes the listener on a journey of hope and recovery. From dopamine responses, to addressing depressive states, to being a vehicle for messages of hope and resilience, we believe that the songs on the EP not only raise an awareness on suicide, but also, provide a bridge to prevention."

Hyderabad, India’s newest old school hardcore/crossover thrash metal powerhouse R.A.I.D (Rueban And the Imperium Division) were founded in June 2016 by vocalist Rueban Issac. 

R.A.I.D draw musical influence from hardcore legends such as Madball, Suicidal Tendencies, Agnostic Front and Hatebreed. Lyrically, the quartet focus on the classic ethos of hardcore, PMA (Positive Mental Attitude). R.A.I.D strive to breathe fresh music into a generic scene, pushing both music and lyrics to their fullest potential.

R.A.I.D have released three albums to date: The Strong Survive (2018), Imperium (2019) and Defiance (2022). Over the years, their music has earned them positive reviews, and has seen them feature in Rolling Stone, Decibel, Metal Addicts, True Metal, Heavy Magazine, Metal.de, Unite Asia and The Metal Wanderlust, to name but a few.

R.A.I.D are:

Rueban Issac - vocals
David Samuel - guitars
Amit Cornelius - bass
Bobbin Jaydev - drums

R.A.I.D online:

Instagram | Facebook

Photo Credit: Andrea Livieri

With the release of melancholic new single 'This River Spoke', melodic metal outfit The Moor keep building anticipation ahead of their album release, now just a fortnight away. Ombra, due 15th March via Inertial Music, will be the band's third full-length effort to date. 'This River Spoke' is accompanied by a mesmerising music video courtesy of visual artist Costin Chioreanu (Ihsahn, Amon Amarth, Ghost, Napalm Death).

Watch the music video here: https://youtu.be/q-Rli4W2RZA

Stream the song here: https://www.themoorband.com

Pre-order Ombra here: https://www.inertial-music.com/store

Following the fast-paced and relentless 'The Overlord Disease' and the darker title track 'Ombra,' third single 'This River Spoke' brings forward more classic sounds within a steady heavy song combined with lyrics that remain consistent with the concept of the album.

Enrico Longhin (vocals) states: “We chose this song as the third single because we believe it's a powerful track with a clear and strong message, suitable for previewing an album like Ombra. Vocally, I've tried to bring together the things I do best and integrate them with the song's deep meaning. 'This River Spoke' is a profound exploration, grappling with themes of mortality, resilience, and the quest for meaning in a world fraught with uncertainty."

The single, as well as the album, has been mixed and mastered by Fredrik Nordström at Studio Fredman in Gothenburg, while the artwork by Niklas Sundin completes the visual artistry.

As the release date approaches, exclusive preorder bundles for Ombra are available at inertial-music.com, providing fans with an opportunity to embark on this transformative musical journey alongside The Moor.

The Moor are a progressive metal band with ever-evolving facets of sound, hailing from Venice, Italy. Since their debut release in 2012, they have distinguished themselves through their innovative, atmospheric sound, incorporating elements of progressive rock, death and thrash metal, while retaining recognisable melodies and memorable choruses.

The band has collaborated with artists such as Mikael Stanne (Dark Tranquillity), Niklas Isfeldt (Dream Evil), and Björn Strid (Soilwork). The quartet is now composed of members of acts like Time and the Hunter (feat. Niklas Sundin), Folkstone, and historical underground acts like Bleed In Vain and Ensoph. The Moor are set to release their highly anticipated new album, mixed and mastered at Studio Fredman by Fredrik Nordström (In Flames, Dark Tranquillity, Architects, Dimmu Borgir, Obscura...) in early 2024. The Moor sound explores a mix of progressive metal, electronica, and melodic death metal influences.

The Moor are:

Enrico “Ukka” Longhin - vocals, guitars, synths
Davide Carraro - lead guitars
Massimo “KKTZ” Cocchetto - bass
Edo Sala - drums

The Moor online:

Instagram | Facebook | Website

Ombra track list:

1. Intro - Il Tema dell'Ombra
2. The Overlord Disease
3. Illuminant
4. Ombra
5. This River Spoke
6. Lifetime Damage
7. Withered
8. Our Tides
9. Passage
10. Vitreous
11. Thirst

Photo Credit: deadape films

German metalcore quartet Defocus have launched their electrifying new album, there is a place for me on earth, out everywhere via Arising Empire.

Coinciding with the album release, Defocus have unveiled an epic music video for 'don't let it hurt me', bringing an intense visual dimension to their sonic narrative. This single, coupled with the visually striking video, has amplified the anticipation and enthusiasm of their fanbase, reinforcing Defocus's role as innovators in the metalcore domain.

Watch: https://youtu.be/8y_RszahCdc

Preceded by the gripping singles 'biased', 'let the bond be my grave', and 'crooked mind', as well as the vibrant 'flatlines', Defocus's new album highlights the band's growth and innovation within the metalcore scene, offering a profound exploration of their raw energy and creative prowess.

Order here: https://arisingempire.com/defocus

Founded by Simon Müller, Jeffrey Uhlmann, Jonas Mahler and Marcel “Bambam” Heberling, the German quartet launched in 2019, instantly proving their worth in the scene with their energetic live shows and their hard-hitting debut album In The Eye Of Death We Are All The Same.  

Defocus are:

Simon Müller | Vocals
Jeffrey Uhlmann | Guitar
Marcel "Bambam" Heberling | Bass
Jonas Mahler | Drums

Defocus online:
https://www.instagram.com/defocus.band
https://www.facebook.com/defocus
http://defocusband.com

Tracklisting:

01. let the bond be my grave
02. biased
03. watch me bleed
04. consumed by you
05. crooked mind
06. don't let it hurt me
07. hybrid anthem
08. ...to not feel anything
09. flatlines
10. there is a place for me on earth

Burn Down Eden return with an uncompromising thrash assault in the form of a new EP, Dismal, which is set for a 5th April release via Seek and Strike. The first look into this new offering comes via the blistering track, 'Reap The Apocalypse' out today.

Watch the video for 'Reap The Apocalypse' here: https://youtu.be/XEJEJz_QeAk

This song is the perfect representation of this EP’s overall sound and vibe, which is loaded with highly energetic thrash metal excellence. Burn Down Eden are ushering in a new era of German thrash with their unique, bombastic brand of metallic ferocity.

Burn Down Eden state: “Our new track, 'Reap the Apocalypse,' started as a demo with the marching triplet main riff leading into the catchy and epic chorus. That unit set the vibe and everything else was constructed around it. 'Reap the Apocalypse' tells the story about a cult and how the people within it are just blindly following a con-artist to only end up losing all their money, belief in society and will to live. It was soon pretty obvious that this is going to be a single, since it’s a straight banger that represents Burn Down Eden's best aspects. It’s catchy and melodic, yet filled with sinister shredding paired with infernal blast beats. 

"The riffs and melodies had a similar feel to our previous release Sermonize, just more coherent and taken to the next level. We ultimately decided to break this full-length album into two EPs. The first EP, Dismal, features the more darker and intense songs, as opposed to the next EP, Epiphany, which has more of the grandiose and upbeat tracks. In the end, you’re going to have one mighty, full-length album, Dismal Epiphany.

"If you’re listening to them back to back, it feels like one thrilling rollercoaster ride. It’s a cauldron full of technical riffs, neoclassical shredding, exotic scales, clever harmonies, groovy headbangers and lethal high-speed blasts. That’s what Burn Down Eden is all about!"

Burn Down Eden online:
https://burndowneden.de
https://www.facebook.com/burndowneden
https://www.instagram.com/burndowneden_official

Dismal track list:

01 Reap The Apocalypse    
02 Death Of A Songbird    
03 Blood Splattered Symphony    
04 Aim For The Stars    
05 The War Within

Photo Credit: Jodi Cunningham

Hyper-melodic, epic rock trio LostAlone have released their new single 'All At Once', out now via Dharma Records. The single comes ahead of the band's UK headline tour, which kicks off next week.

Check out 'All At Once' here: https://youtu.be/dNTvTqj4BtQ

Stream 'All At Once' here: https://ffm.to/all-at-once

Frontman Steven Battelle comments: 

"I wrote this song on a train traveling alone between Newcastle and Glasgow on a day off from tour in November 2023. It's primarily about the internal chaos I was feeling, and the adaptation it takes to walk the tightrope of the intense adulation and camaraderie of touring, with the juxtaposition of the complete solace and peace I was experiencing on the journey. I can’t wait to play this on our UK tour."

UK tour dates (support from As Sirens Fall): 

Mar 07: St Albans The Horn 
Mar 08: London The Lower Third
Mar 09: Brighton Patterns 
Mar 10: Bournemouth Bear Cave 
Mar 12: Exeter Phoenix 
Mar 13: Plymouth The Junction 
Mar 14: Cardiff The Globe 
Mar 15: Milton Keynes MK11 Kiln Farm 
Mar 17: Birmingham The Asylum 
Mar 18: Nottingham Rescue Rooms 
Mar 19: Leeds Oporto 
Mar 20: Manchester Deaf Institute 

Tickets are on sale here: https://lostalone.com/shows/

LostAlone surprised fans with their return in 2022, eight years since they originally split, swiftly followed by shows with My Chemical Romance and a sold-out hometown headline show. The trio concluded 2022 with a full UK headline tour, following the release of their long-awaited album The Warring Twenties. 

The Warring Twenties was LostAlone's first full-length since 2014's Shapes of Screams. The album was written and produced by frontman Steven Battelle, with a variety of friends called upon to mix the songs: Greg Wells (The Greatest Showman, Deftones, Twenty One Pilots), Rou Reynolds (Enter Shikari), Adam Noble (Biffy Clyro, Placebo, Liam Gallagher) and Rich Collins.

Outside of LostAlone, Battelle has become a prolific songwriter for other artists, co-writing seven of the songs on McFly's new album Power To Play (#2 in Official Albums Chart Top 40). Following the successful collaboration, McFly invited LostAlone to tour with them last year. 

2023 also saw the trio release three standalone singles, 'The Final Call For Forever', 'Waiting For The Magic To Show Up' and 'I'm A Fire That You Can't Put Out'.

For more information:
https://lostalone.com/
https://www.facebook.com/lostaloneofficial/
https://twitter.com/lostalone/
https://www.instagram.com/lostaloneofficial/

Photo Credit: Venera Red

Post-hardcore quartet VENUES are now unveiling their brand new single 'Godspeed, Goodbye', showcasing their ever evolving sound and musical depth. The new track is taken from the band's upcoming album Transience, which will be out on 29th March via Arising Empire.
 

Stream here: https://arisingempire.com/godspeedgoodbye
Watch the video here: https://youtu.be/U9v3C1oU6A0

The new track follows their critically acclaimed album Solace, and previous singles 'Haunted House', 'Cravings', 'Reflections', 'Oblivion', 'Radiate Me' and 'Unspoken Words' (Arising Empire).

Pre-orders for Transience are still available here. 

"I have yet to manage to sing this song without crying." - Lela, vocals.

Venues live:
02.03.24 Aschaffenburg (DE),  Fem Fest
03.03.24 Munich (DE), Backstage
05.03.24 Cologne (DE), Essigfabrik
06.03.24 Paris (FR), Backstage by the Mill
30.03.24 Bietigheim-Bissingen (DE), VENUES Homecoming
20.04.24 Twistringen (DE), Brickmosch
04.05.24 Freiburg (DE), HorrorCon
29.06.24 Feuchtwangen (DE), Moos Meadow Festival
13.07.24 Weener (DE), Free For All Festival
19.07.24 Leipzig (DE), NEXO Nerd Rock Festival

Tickets

VENUES are:
Lela | clean vocals
Robin | shouts
Valentin | guitar
Dennis | drums

For more information: 
https://www.facebook.com/VENUESofficial
https://www.instagram.com/venuesofficial
https://twitter.com/venuesofficial
https://venues.bigcartel.com
https://www.tiktok.com/@venuesofficial

Tracklist:
1. Godspeed, Goodbye  
2. Haunted House 
3. Braille    
4. Unspoken Words    
5. Bad Karma    
6. Reflections 
7. Radiate Me   
8. Oblivion
9. Cravings    
10. Coming Home

Hunter Oliveri, the 18-year-old talent recently tipped by Ones to Watch and COMPLEX, has released a video for his new single ‘Stranger', out now via Spinefarm. 

Check out the visually trippy video for the powerfully self-aware track here: https://youtu.be/l4G2QbuWruA

Stream 'Stranger' here: https://HunterOliveri.lnk.to/Stranger

"'Stranger' is basically about being pulled from the closest people in your life without really realizing it," Oliveri says. "I thought I was in the happiest relationship of my life, but slowly started to realize I was drifting away from friends and family and people who really cared about me. Friends became distant and it's almost a message to people who cared about me the most. It's like "I've been a stranger" to those people."

Last year, Oliveri released 'Dumb', his debut single for new label Spinefarm. He followed it with the video 'Spiraling Out'. 

So what else do you need to know about Hunter Oliveri, whose previous single 'Kids' was tipped by Pigeons + Planes? 

His are songs that channel the alternative and grunge blueprint of his musical heroes - think Chris Cornell and Soundgarden, Billy Corgan and The Smashing Pumpkins - imbued with the playful opaqueness of Kurt Cobain's lyricism and the easy slacker hooks of Weezer.

Like all of Oliveri's music, it speaks to the messiness of growing up. It sounds exactly like that, too. He simply writes what he knows.

There are songs about partying too hard and songs about loving too much; songs about last night’s headrush highs and the morning-after's anxious comedown. There are songs for when you need the comfort of relatability, and there are songs for when you want to simply say "f*ck it all."

They are the product of the humble authenticity of someone who's grown up in a place no different to a million others the world over. You’ve likely never heard of Paso Robles, CA, and you likely never will again. There’s sunshine, strip malls, and vineyards that outnumber venues ten to one, where the nearby underground music scene of San Luis a few miles down the road is more accessible than anything resembling the bright lights of LA two hours to the south, or San Francisco the same distance north. "It's a boring city, but we make the most of it," Oliveri shrugs. "We'll go skating, or hang out and smoke. And anyway, it's fun to go moshing in someone's basement."

It’s no surprise, then, that Oliveri is used to creating more interesting scenes than those that existed outside his window. As a kid, he would do so in the stories he dreamt up in his bedroom. "I like writing stories about worlds I'd want to live in," he says, "which made my own world seem so much bigger."

Such creativity inevitably morphed into songwriting in his early teenage years - though music had long since embedded itself within him. "I was probably four years old when I first heard 'Smells Like Teen Spirit' around my parents’ house," he recalls of music's omnipresence in his life. "I never knew the name of the song but every time I heard it, I'd be like, sh*t, it's that song. It would give me this majestic feeling.”

He laughs that his mom holds a video recording of her son gamely plucking through a rendition of a Metallica song (to Oliveri's mind, it was ...And Justice For All epic 'One') at his Kindergarten graduation performance. His dad - an avid fan of Korn and Tool - meanwhile tells him that his parents met at Woodstock; not the peace-and-love of Woodstock '69, but, more aptly, the confusion-and-chaos of Woodstock '99.

A chance meeting with a local producer’s father while in a coffee shop with his grandpa aged 14 would be the first domino to fall in the story of Oliveri's rise to prominence. The rest is a history still to be written. "I've been so incredibly lucky, but I've manifested this, too," he says. "I've always known writing music would be my life. I just had to make it happen. It was hard to find kids around my city that play instruments and want to be in a band, but I’ve been writing songs every day in my bedroom since I was maybe 13 years old. It takes me to a different place."

Those songs are anthems for those disassociated with the world on their doorstep, the soundtrack to growing up marooned between a digital world that for Oliveri speaks of with distain as "rotting people’s brains," and a real one that’s more f*cked up by the day.

"I want to bring people into my world through my music," he adds. "I want people to feel something when they listen to my music, and to relate to me, and for me to be a friend and an outlet for them."

And as for everything else?
 
Well, he'll figure it out as he goes. 

For more information:
https://www.instagram.com/hunteroliveri/
https://www.tiktok.com/@hunteroliveri/

Photo Credit: Spencer Chamberlain

Leap Day only comes around once every four years, but this one marks an even more special occasion: the return of One Step Closer! Today, the Pennsylvanian melodic hardcore heroes are back with their fitting new single 'Leap Years' and the announcement of their highly anticipated album, All You Embrace, due for release on 17th May via Run For Cover Records.

Check out the video for 'Leap Years' here: https://youtu.be/88PjELlPNaY

Stream 'Leap Years' here: https://lnk.to/OSC-LeapYears

Pre-order All You Embrace here: https://lnk.to/OSC-AllYouEmbrace

All You Embrace boldly expands the scope of One Step Closer's sound, offering their most anthemic and passionate work to date. 

The album follows 2021's This Place You Know and 2023's Songs For The Willow, releases that drew attention from the likes of Pitchfork, Stereogum, Revolver Magazine, The FADER, Brooklyn Vegan, NPR, SPIN, FLOOD Magazine, and more, and catapulted One Step Closer into the ranks of the most exciting new bands coming out of hardcore. 

All You Embrace makes good on all of that potential, leaning into the most melodic elements of the band's sound without sacrificing an ounce of energy. Today, One Step Closer share the album's lead single 'Leap Years', a blast of ultra-anthemic punk that perfectly bridges the fury of their early work and the unabashed melody of their latest chapter. 

All You Embrace finds One Step Closer exploring the sonic overlaps of hardcore, emo, '90s alternative and more - resulting in the most ambitious songs they've ever written. Produced/engineered by Jon Markson (Drug Church, Koyo, Drain, Regulate), the record sounds truly gigantic, like a widescreen, technicolour version of One Step Closer's biting sound. 

“I wanted to showcase One Step Closer in its fullest state,” explains vocalist Ryan Savitski. “Every single part of the band, I wanted it to be there. I wanted us to be 100% ourselves and be as authentic to our band as we could possibly be.” And All You Embrace is certainly imbued with that sense of identity, a testament to knowing who you are in a world of uncertainties, and a powerful new era for One Step Closer.

The band will also be continuing their non-stop touring ways in support of All You Embrace. Today marks the start of One Step Closer's North American co-headlining tour with Koyo and Anxious, and in May the band will be heading to the UK for Slam Dunk Festival.

May 25: Hatfield, Slam Dunk Festival
May 26: Leeds, Slam Dunk Festival 

For more information:
https://www.instagram.com/onestepcloserwb/
https://twitter.com/onestepcloserwb/
https://www.tiktok.com/@onexstepxcloser/
https://runforcoverrecords.com/

All You Embrace tracklist:

1. Color You
2. Leap Years
3. Blur My Memory
4. The Gate
5. Your Hazel Tree
6. Orange Leaf
7. Esruc
8. Slow To Let Go
9. Topanga
10. Giant's Despair
11. So Far From Me

Photo Credit: Christoph Vohler

Legendary heavy metal titans ACCEPT have unveiled the first single from forthcoming album Humanoid (26th April, Napalm Records) - the title track. The hard-hitting first single features razor-sharp riffs in true ACCEPT style and comments on our reliance on technology. The dystopian atmosphere of the accompanying video compliments the track perfectly, depicting a stark contrast between a video wall and the band performing live in front of it.

Watch the video here: https://youtu.be/LYPFFZFBBYY

Pre-order the album here: https://lnk.to/ACCEPT-Humanoid/napalmrecords

The first international breakout heavy metal band from Germany, ACCEPT have influenced an entire generation of bands. Founded in 1976, ACCEPT has remained at the top of the scene with countless sold-out shows, headline slots at all major international festivals, Gold certifications, #1 chart positions and a colossal number of albums sold throughout the years.

Fans will get their chance to hear the new songs live soon after the release of Humanoid on ACCEPT’s South American tour, kicking off at the end of April, as well as at many big European summer festivals - including Hellfest, Wacken and Masters of Rock. Tickets for ACCEPT’s autumn 2024 European headline tour are also already on sale.

ACCEPT on 'Humanoid': “The song plays with the omnipresent topic of Artificial Intelligence (AI). In a strange way, we have entered exciting times now… This Digital Revolution has a huge impact, probably bigger than anything humankind has ever gone through. The Industrial Revolution was huge, but this might be even bigger, and we're just at the beginning of it. However, I'm also a little afraid that humanity gets lost and pushed aside in all this stuff. The song is pretty impactful and provoking!”

Once again finalised by leading metal producer Andy Sneap (Judas Priest, Amon Amarth, Testament, Saxon, etc.) at his Backstage Recording Studios Ltd. in Derbyshire, UK, Humanoid is a towering musical achievement and another world class entry in the ACCEPT catalogue, certain to rally fans from around the world. Humanoid will be available in various formats worldwide, some strictly limited.

Humanoid joins absolute genre classics like Balls To The Wall, certified Gold in USA and Canada, Metal Heart, and newer masterpieces like Blood of the Nations and the #1 charting album Blind Rage. Their albums regularly place in national Top 10 sales charts, with global sales in excess of 17 million to date.

ACCEPT have never shied away from hot button issues, and this album is no exception. Yet the band’s 17th studio album is certainly not a concept album. It deals with topics like AI and how our reliance on technology is gradually stripping away our individuality. ACCEPT offers a warning in this new album and title track single Humanoid. Since singer Mark Tornillo will never be an advocate for the digital age, he counterbalances the title track with raw emotions, frailties, significant Rites of Passage we encounter on the path of life and characteristics that make us uniquely human: feeling uncomfortable, getting older, dealing with hurt, disappointment, and the final stop for everyone: death.

Humanoid is a ferociously electrifying, dynamic and subtly nuanced platter with tongue in cheek humour, as heard in biblical references on 'The Reckoning' – an ode to concert audiences – a thrilling new spin on the “Frankenstein” story and 'Straight Up Jack' – a track that surely would have been a Bon Scott approved drinking song.

The opening track 'Diving into Sin' gives listeners a hair-raising energetic jolt with its Middle Eastern influenced intro, and an almost aggressive, screaming vocal from Tornillo setting the rest of the album up for a most bountiful feast. 'Unbreakable' is as much about the band as it is the bond between ACCEPT and their fans, in the concert arena – an easy going “Hey, let’s do this” kind of rock song. 'Mind Games' on the other hand, has a vintage feel, circa 'Metal Heart'. 'No One Gets Out Alive' seems tailor-made for live shows. It says that regardless of life's circumstances, rich, famous, or not, death is the great equaliser. Upbeat and aggressive with guitar interplay, 'Southside Of Hell' ends the disc with a wonderful bit of wordplay, courtesy of Tornillo.

South American Headline Tour:
29.04.24 UY – Montevideo / Complejo Sala Show
01.05.24 BR – Sao Paulo / Carioca Club
03.05.24 AR – Buenos Aires / Teatro Flores
05.05.24 CL – Santiago / Coliseo
07.05.24 PE – Lima / CC Festiva
09.05.24 CO – Bogota / Royal Center
11.05.24 SV – San Salvador / Gimnasio Adolfo Pineda Santa Tecla
13.05.24 MX – Mexico City / Circo Volador
 
European Headline Tour:
17.10.24 TR – Istanbul / KCP
28.10.24 FR – Toulouse / Le Bikini
29.10.24 FR – Lyon / Transbordeur
31.10.24 BE – Antwerp / Trix
01.11.24 FR – Paris / Elysee Montmartre
02.11.24 CH – Lausanne / Les Docks
03.11.24 CH – Zurich / Komplex
05.11.24 DE – Saarbrücken / Garage
06.11.24 DE – Oberhausen / Turbinenhalle
07.11.24 DE – Langen / Stadthalle
09.11.24 AT – Vienna / Simm City
12.11.24 DE – Munich / Backstage
13.11.24 DE – Berlin / Huxleys
15.11.24 DE – Neu-Ulm / Ratiopharm Arena
16.11.24 DE – Geiselwind / Eventcenter
21.11.24 DE – Bremen / Aladin
25.11.24 NO – Oslo / Rockefeller
26.11.24 SE – Gothenburg / Trädgår’n
29.11.24 SE – Karlstad / Nöjesfabriken
30.11.24 SE – Stockholm / Fryshuset
 
Festivals 2024:
05.-08.06.24 PL – Gdansk / Mystic Festival
19.-22.06.24 DK – Copenhagen / Copenhell
20.-22.06.24 ES – Cartagena / Rock Imperium Festival
26.-29.06.24 ES – Viveiro / Resurrection Festival
27.-30.06.24 FR – Clisson / Hellfest 
11.-15.07.24 HU – Dunaújváros / Rockmaraton
12.-14.07.24 BG – Mogilovo / Midalidare Rock in the Wine Valley
14.07.24 CZ – Visovice / Masters Of Rock
20.07.24 DE – Pyras / Pyras Open Air
21.07.24 GR – Athens / Release Athens
31.07.-03.08.24 DE – Wacken / Wacken Open Air
01.-03.08.24 SE – Rejmyre / Skogsröjet
20.10.24 ES – Mallorca / Full Metal Holidays
 
Tickets available HERE

ACCEPT are:
Wolf Hoffmann – guitar
Mark Tornillo – vocals
Uwe Lulis – guitar
Martin Motnik – bass
Christopher Williams – drums

ACCEPT online:
THE INTERACTIVE HUMANOID EXPERIENCE
FACEBOOK
INSTAGRAM
TWITTER
VK
TIKTOK
NAPALM RECORDS