Photo Credit: Tetiana Malezhyk

Belgian sludge/doom collective Predatory Void, featuring members of Amenra, Oathbreaker and Cobra The Impaler, release new single 'New Moon'. This is the second single taken from new EP Atoned in Metamorphosis, set for release on 6th February 2026 via Pelagic Records.

Watch the visualiser here: https://youtu.be/VXXwb5qNSd8

Stream here: https://orcd.co/predatoryvoid

Predatory Void guitarist Lennart Bossu commented: "'New Moon' was the first song we wrote for the EP and set the tone for what followed. It reflects a relentless chase for wholeness that always ends in emptiness, mirroring the moon’s endless cycle."

The new four-track EP distils the band’s volatile creative energy into a tightly honed expression of intensity, restraint and emotional upheaval. Across Atoned in Metamorphosis, Predatory Void navigate extremes with precision and purpose. Reverb-drenched, lingering passages rupture into searing metallic surges; subterranean basslines underpin shifting guitar architectures; vocals move between condemnation, lament and raw catharsis; percussion oscillates from deliberate, architectural patience to explosive release. The result is an austere yet immersive sonic landscape, incandescent, razor edged and unflinchingly direct.

Conceptually, the EP confronts the darker terrain of the human psyche. Calling on sludge, doom, black metal and the unrelenting urgency of hardcore, the band channel these influences into concise, tightly constructed compositions that balance melody with abrasion.

The band comments, “Atoned in Metamorphosis represents the process of confronting the uncomfortable truths within ourselves, the obsessions, the grievances, the shadow sides so many hide or ignore. As we evolve and change in life, we’re inevitably faced with these darker, sometimes evil and obsessive parts, both in ourselves and in others. In recognising our flaws, we begin to find strength, not in perfection, but in self-awareness. For some, this can feel like a spiritual or emotional cleansing, a kind of healing that comes from seeing ourselves fully, and embracing what we once tried to deny.” 

Working with producer and recording engineer Gilles Demolder (Wiegedood, Oathbreaker), the band pursued a raw, performance centric aesthetic,  preserving immediacy while amplifying contrast. Atoned in Metamorphosis stands as a vital evolution for Predatory Void, a work defined by architectural heft, emotional honesty and a deep commitment to tension as both a creative force and a narrative engine.

Predatory Void emerged from the collision of sharply contrasting musical backgrounds. Guitarist Lennart Bossu (Amenra, Oathbreaker, Living Gate), long associated with atmospheric and introspective soundscapes, began writing harsher, more immediate material during the pandemic. To bring this vision to life, he assembled drummer Vincent Verstrepen (Carnation) and guitarist Thijs De Cloedt (Cobra The Impaler, ex-Aborted), both steeped in more direct and aggressive strains of metal, alongside vocalist Lina R (Cross Bringer) and, more recently, bassist/vocalist Kris Auman (ENDLINGR).

The result is a volatile and cohesive fusion of styles, shoegaze, doom, hardcore, black metal and death metal, anchored by emotional weight and sheer sonic force. It’s a sound as haunting as it is punishing, resonating with fans drawn to the current vanguard of alternative metal, from Ragana and Agriculture to Thou.

Predatory Void are: 
Vocals - Lina R
Guitars - Lennart Bossu
Bass/vocals - Kris Auman
Guitars - Thijs Decloedt
Drums - Vincent Verstrepen

For more:
https://www.facebook.com/PredatoryVoid
https://www.instagram.com/predatoryvoid
https://linktr.ee/predatoryvoid
https://pelagic-records.com

Atoned in Metamorphosis tracklist:

1. Make Me Whole
2. New Moon
3. Peeling Cycle 
4. Contemplation In Time

Photo Credit: Shelby Natasha

Seattle rock band Filth Is Eternal have announced their third album, Impossible World, which lands 17th March via MNRK Heavy.

Pre-order: https://filthiseternal.ffm.to/impossibleworld

Today, Filth Is Eternal also drop the album’s first single, 'Stay Melted', a front-to-back banger featuring some of singer Lis Di Angelo's most incisive songwriting to date. “To want to injure is human / to want to kill is divine,” they growl over a heavy, driving beat - a lyric that exposes the hypocrisy at the heart of the rise of Christofascism in the U.S. Speaking on the track, the band note, “The world can feel like a total trash fire to the point where we become lethargic. Lethargy makes us our own worst enemy; sometimes you have to kill a thing before you lose yourself to it completely.”

Watch the video to 'Stay Melted' here: https://youtu.be/5PytG2uqzTE
Stream: https://filthiseternal.ffm.to/staymelted

The follow-up to the band's acclaimed 2023 album Find Out, Impossible World was written against a backdrop of accelerating gentrification, unchecked technology, and the slow creep of authoritarianism. The LP confronts life in a present that already feels dystopian. Yet rather than surrendering to despair, Filth Is Eternal push forward with clarity and defiance, asking hard questions about survival, humanity, and resistance in a world increasingly shaped without consent. Sonically, Impossible World balances hardcore urgency with sharpened melody, drawing from punk’s immediacy while pushing toward something more expansive and deliberate.

Formed in 2020, Filth Is Eternal were inspired by the raw, impulsive ethos of punk and from the gate became known for their frenetic live shows played in DIY venues across the country. "Filth has always been about energy at the heart of things since the earliest recordings," Di Angelo says. "We wanted to leave our blood and guts out on the floor," guitarist Brian McClelland adds. 

While the band holds fast to the immediacy of punk, Impossible World marks a turning point for FIE. “I think the biggest changes from LP1 to now is that we’ve upped the intention by using more melody, harmony, and singing in general. We’re working with aggression, but moving toward something beautiful and true,” Lis says. 

The album features notable collaborations with Blood Brothers' Johnny Whitney, Fall Out Boy's Joe Trohman, Gina Gleason, and Lauren Lavin, alongside the band's use of the FILTH EQ+, a pedal they crafted that helped shape the album's sonic landscape.

Despite some of its heavier subject matter, Impossible World has many soaring moments  - dashes of light that overwhelm the senses and give fans a sense of possibility amidst the toils of contemporary living. That ebullient optimism resonates throughout the record, with Lis' voice cutting through melancholia as a beacon lighting what's to come. In hard times the future can feel finite, unreal, but Impossible World reminds us that art has the radical potential to enliven us as we wait out the darkest hours.

Filth Is Eternal are:
Lis DiAngelo (vocals)
Brian McClelland (guitar)
Logan Miller (bass)
Josh Pehrson (drums)

Filth Is Eternal online:
https://www.facebook.com/filthiseternal
https://www.instagram.com/filthiseternal
https://filthiseternal.com
https://x.com/filthiseternal_

Impossible World tracklisting:
1. Stay Melted
2. Long Way
3. Hellfire
4. Acetylene
5. Weather & Rose
6. Desire
7. Total War
8. Bad Faith
9. Outbreak
10. So Below
11. Slipstream
12. Skorpio

Photo Credit: Pelagic Records

Post-rock band Jagged City, featuring Jake Woodruff (Defeater) and Carlos Torres (former touring member of Explosions In The Sky) have unveiled their new single 'Ocean East, Ocean West'. This is the second single taken from their debut EP, There Are More of Us, Always, to be released on 30th January via Pelagic Records.

Watch the visualiser here: https://youtu.be/2FX3tdQMrcs

Stream here: https://orcd.co/jaggedcity

There Are More of Us, Always is a bold collection that moves between spacious, melodic guitar passages and raucous, swelling climbs. With heartfelt, melodious songwriting, a diverse range of eclectic touches buried within, and eruptions of dense, layered sound, this record delivers wonderfully balanced compositions through raw and personal production.

The project began as a cross-continental art experiment between Jake Woodruff (Defeater) and Carlos Torres (former touring member of Explosions In The Sky). What started as a simple exchange of ideas quickly found real shape through collaborative composition and thoughtful arrangement. Early sessions with David Haik helped refine the songs’ structures and drum frameworks, setting the groundwork for what would become Jagged City’s striking debut.

“We wrote with pure instinct, just tried to add something new to a genre that we love. As we traded ideas, we took some left turns and incorporated elements that may be unexpected.“ commented Woodruff.

When it came time to record, scheduling issues led to an inspired change of plans. Urian Hackney joined the project both behind the kit and behind the board, engineering and performing the drum parts that propel the record. In two intense days at The Box studio in Burlington, VT, Jake and Urian captured the core of the album with an immediacy and urgency that remain audible in every take. 

Carlos recorded bass in Los Angeles alongside longtime musical colleague Michael James (Explosions In The Sky), while Jake added further guitar textures from his home studio, creating layers that thread the compositions together.

This debut is both a statement of intent and an open invitation: Jagged City offer music that rewards close listening and communal experience—an instrumental journey shaped by collaboration and a fierce commitment to feeling. While still post-rock, There Are More of Us, Always utilises a diverse range of influence, giving a freshness to each uniquely realised track.

“This record is a product of collaboration and love and creativity - we hope it inspires people to be connected and think collaboratively and creatively together. That's the only way forward." concludes Woodruff.

Jagged City are:

Jake Woodruff - guitar
Carlos Torres - bass
Urian Hackney drums & production
Featuring Takaakira Goto as guest guitarist on 'Deluge in a Paper Cup'.

For more: 
https://www.instagram.com/jaggedcity

There Are More of Us, Always track list:

1.    (DON’T DREAM ITS OVER)
2.    IMAGINARY LINES
3.    RAIN AND SIRENS 
4.    OCEAN EAST, OCEAN WEST
5.    HAIRSPRING 
6.    MINUS POWER
7.    (DELUGE IN A PAPER CUP)

Photo Credit: Rolf Meldgaard

As Danish alt-metal visionaries MØL count down to the release of their eagerly awaited new album DREAMCRUSH on 30th January via Nuclear Blast Records, the band unveil 'CRUSH', a powerful new single that sharpens the focus on what promises to be their most immersive body of work yet. Arriving as MØL prepare to take DREAMCRUSH on the road across Europe and the UK throughout February, 'CRUSH' follows singles 'Garland' and 'Young', offering another glimpse into the emotional intensity that defines their new record.

Check out the video for ‘CRUSH’ here: https://youtu.be/R4IHG65FNS8

Listen to 'CRUSH' here: https://moel.bfan.link/crush

Pre-order and listen to DREAMCRUSH here: https://moel.bfan.link/dreamcrush

Guitarist Nicolai Busse comments on the new single: "CRUSH encapsulates in many ways the dichotomy we as a band always have sought to balance, the journey between melancholy and jubilee, uplifting beauty and devastation. 

"It is a gradual change or undoing of the known over time. The gravitational push and pull between the individual and the world. An acceptance of the many grey days, the mundane. Right there in the embrace of the chaos within the nuances of blues and yellows - we might discover small hints of slow emerging greens. Of beginning growth.” 

With their third studio album now just weeks away, MØL continue to push deeper into their own creative world. DREAMCRUSH balances the band’s sharpest, most jagged edges with soaring alt-rock hooks, exploring the fragile space between dreams and reality and how aspiration can both carry us forward and slowly consume us. By weaving melody into even their most aggressive moments, MØL emerge with their most explosive, soul stirring work to date.

Following on from the critically acclaimed Jord (2019) and Diorama (2021), MØL’s latest opus sees their sound continue to evolve as they embrace new horizons - as a band and as individuals. Drawing on influences including My Bloody Valentine, Cocteau Twins and Smashing Pumpkins, the album explores recurring themes of belonging, resilience and finding home within oneself. DREAMCRUSH arrives with a renewed sense of confidence, acceptance and vigour.

Recording took place over several months in Frederik Uglebjerg’s Aarhus studio, allowing the band to shape the album gradually. Vocalist Kim Song Sternkopf explores his baritone register, delivering lyrics in Danish and English that reflect personal introspection and a revisitation of past events. Guitar solos by Nicolai Busse elevate the emotional journey, while abstract, Emil Nolde-inspired artwork by Daniel Owen at Nemesis Design (Sleep Token, Architects, BFMV, TesseracT) and photography by Rolf Meldgaard visually complement the album’s exploration of dreams, reality and emotional reconciliation.

Fans can soon experience the album live as MØL embark on a headline tour across Europe and the UK throughout February with support from Tayne and Cold Night For Alligators, promising shows that translate the album’s intensity into a visceral, unforgettable performance.

Comments vocalist Kim Song Sternkopf, "It feels incredible to bring DREAMCRUSH out into the world, not just through the record, but by stepping back onto stages across Europe and the UK. This will be our second headline run and it honestly feels like a new and thrilling chapter for us in MØL.

"The songs on DREAMCRUSH explore how our hopes and ideals can both lift us up and break us apart. Performing them live will be like tearing up that dream to the crowd, fragile, heavy and luminous all at once. 

"We’ve also been lucky to bring along two incredibly solid acts who embody that same spirit in their own ways: TAYNE, with their raw, industrial noise-pop energy and Cold Night for Alligators, who channel this beautifully intricate and emotional strain of alternative metal from Copenhagen. Together, we plan to bring you dynamic and compelling sets each night,  across Europe and the UK. We can’t wait to see everyone again!"

Tickets are available here: https://ffm.live/moeldk-tour

Feb 6 – Berlin, DE – Hole 44
Feb 7 – Prague, CZ – Futurum
Feb 8 – Leipzig, DE – Naummans
Feb 9 – München, DE – Feierwerk
Feb 10 – Wiesbaden, DE – Kesselhaus
Feb 11 – Eindhoven, NL – Effenaar KZ
Feb 12 – London, UK – Underworld
Feb 13 – Manchester, UK – Rebellion 
Feb 14 – Glasgow, UK – Classic Grand Lounge Bar 
Feb 15 – Leeds, UK – Key Club
Feb 16 – Birmingham, UK – O2 Institute2
Feb17 – Bristol, UK – Exchange
Feb 18 – Paris, FR – Petit Bain
Feb 20 – Koln, DE – Club Volta
Feb 21 – Hamburg, DE – Betty 

MØL are:

Ken Lund Klejs - drums
Holger Rumph Frost - bass
Kim Song Sternkopf - vocals 
Sigurd Kehlet - guitars 
Nicolai Busse - guitars

MØLonline: 
Facebook | Instagram |Spotify|  Linktree|Nuclear Blast 

DREAMCRUSH Tracklisting:

1. DREAM
2. Små Forlis
3. Young
4. Hud
5. Garland 
6. Favour
7. A Former Blueprint
8. ∞
9. Dissonance
10. Mimic
11. CRUSH

Canadian metalcore outfit The Veer Union return with their powerful new single 'Venom In My Veins', offering another intense glimpse into their upcoming album Reinvention, set for release on 20th February, 2026 via Arising Empire.

Watch the video here: https://youtu.be/I3YBJdjk5kc
Stream here: https://arisingempire.com/theveerunion

Driven by massive hooks, gritty guitar work, and the unmistakable vocal presence of frontman Crispin Earl, 'Venom In My Veins' blends raw aggression with emotional weight. The track captures The Veer Union at their most focused and personal, balancing modern metalcore intensity with the band’s signature hard-rock songwriting, resulting in a song that hits hard while remaining deeply relatable.

Following a series of strong releases that have steadily shaped the narrative of Reinvention, the new single continues to underline the album’s core theme: transformation through adversity. Rather than reinventing themselves for the sake of change, The Veer Union refine everything that defines them, heavier, sharper, and more honest than ever before.

With Reinvention arriving on 20th February, 2026, The Veer Union are building toward one of the most defining chapters of their career. 'Venom In My Veins' stands as another clear statement of intent: this is a band fully in control of their sound, their message, and their momentum.

California’s hardcore heavyweights Lionheart continue their unstoppable run with the release of Valley Of Death II, dropping today, 9th January 2026 via Arising Empire. The record marks the long-awaited sequel to their 2019 fan-favourite and promises a darker, more aggressive, and uncompromising chapter in the band’s career.

In celebration of the release, the band drop a new music video for the single 'Chewing Through The Leash' ft. Matt Honeycutt from Kublai Khan TX.

Watch the video here: https://youtu.be/Nlnjh0Gh0sg
Stream here: https://arisingempire.com/lionheart

To complete this massive new era, Lionheart will return to Europe in January 2026 for a huge headline tour, joined by Madball, Gideon, and Slope. 
 
Catch the band live:
09.01.26 – Germany, Münster – Skaters Palace
10.01.26 – Germany, Leipzig – Haus Auensee
11.01.26 – Germany, Berlin – Astra
12.01.26 – Czech Republic, Prague – Lucerna Music
13.01.26 – Austria, Vienna – SiMM City
14.01.26 – Germany, Nürnberg – Z-Bau
15.01.26 – Germany, Munich – Tonhalle
16.01.26 – Germany, Wiesbaden – Schlachthof
17.01.26 – Switzerland, Solothurn – Kofmehl
18.01.26 – France, Paris – Bataclan
20.01.26 – Netherlands, Tilburg – 013
21.01.26 – Germany, Stuttgart – Im Wizemann
22.01.26 – Germany, Bremen – Modernes
23.01.26 – Germany, Cologne – Carlswerk Victoria
24.01.26 – Belgium, Antwerp – Trix

Lionheart online:
https://www.instagram.com/lionheartca
https://www.facebook.com/lionheartca
https://www.tiktok.com/@lionheartca

Grey Daze, the original band of late Linkin Park frontman Chester Bennington, proudly announce the release of their new single 'Monster You Adore'. 

In the words of the band: "'Monster You Adore' is about breaking up with depression knowing something has to change, yet struggling to release the version of themselves shaped by it."

The single, following 2025's 'Shadows' again showcases the band’s renewed creative energy with vocalist Cris Hodges, bridging the group’s historic legacy with its evolving sound.

Watch the video here: https://youtu.be/GNMfG834iCo

Stream: https://distrokid.com/hyperfollow/greydaze/monster-you-adore-2

Following their acclaimed #ForYouChester UK Tour in 2024, which raised awareness for men’s mental health and suicide prevention, Grey Daze continue to build a global movement of healing and resilience through music.

"Cris has brought an energy and voice that reignited our passion for making music,” said drummer and founding member Sean Dowdell. “We’re inspired every day by the fans who continue to find hope in these songs."

'Monster You Adore' continues Grey Daze’s new chapter as they prepare for an expanded England 2026 tour.

Dates:

March 2026
20 Nottingham Rescue Rooms
21 London Underworld
22 Bristol Thekla
24 Newcastle Anarchy Brew
25 Manchester Rebellion
26 Southampton The 1865

In 2025, Grey Daze returned to rock radio with 'Fake Little Lies' and 'Still Screaming', their first new music since Chester’s passing. With Hodges’ distinctive vocals and growing songwriting presence, the band rekindled its creative momentum and performed a series of sold-out European shows.

“We had fans travel from Japan and even from the war-torn border of Ukraine just to see us,” Dowdell shared. “It reminded us how deeply these songs resonate. They still need to be heard.”

Formed in Phoenix, Arizona in 1993 by drummer Sean Dowdell and vocalist Chester Bennington, Grey Daze became a standout in the 90s alternative scene, releasing two independent albums and cultivating a devoted underground following. After Bennington’s rise to global fame with Linkin Park, the band’s catalogue remained dormant for years. In 2016, plans began for a reunion featuring the original members alongside new guitarist Cristin Davis, with a special performance scheduled for Club Tattoo’s anniversary in 2017. Those plans were tragically cut short by Chester’s passing.

In 2020, Grey Daze released Amends on Loma Vista Recordings, featuring Bennington’s archival vocals and guest appearances from members of Korn, P.O.D., Bush, and Breaking Benjamin. The album debuted at #1 on the UK Rock & Metal Albums Chart. The follow-up record, The Phoenix (2022), reached #2, featuring Dave Navarro, Richard Patrick (Filter), and Bennington’s twin daughters Lily and Lila on vocals.

Grey Daze returned to the stage in 2023 for U-Fest in Phoenix, where the band introduced Cris Hodges as frontman. By 2024, the line-up expanded with Evan Nichols on bass and Kenny Bulka on guitar, cementing the band’s revitalized five-piece sound.

For more:
link.greydazemusic.com/discover

New Miserable Experience, featuring an all-star cast with members of Rivers of Nihil, Rosetta, ex-Revocation, and Model Prisoner, give us another glimpse of their new record Gild The Lily, coming 23rd January via Pelagic Records.

Their new single 'Ataraxia' is available now. Watch the video here: https://youtu.be/zZ8nYvXH_g4

Pre-order Gild The Lily and stream 'Ataraxia' here: https://orcd.co/newmiserableexperience

The band comment: "'Ataraxia' started as one of Brody's ideas. We all felt it had a Portishead type of vibe that we instantly grabbed on to. As far as the lyrics, when life is falling apart the idea of 'Ataraxia' (calmness untroubled by mental or emotional disquiet) sounds very appealing."

New Miserable Experience are a Philadelphia-rooted collective that reshapes heavy-music rigour into expansive, melody-forward songs through alternative synth-rock. What started as a file-trading collaboration between vocalist/bassist David Grossman (ex-Rosetta) and multi-instrumentalist Joshua Mahesh Kost (Model Prisoner) expanded into a full band that now includes Rosetta drummer Bruce “B.J.” McMurtrie Jr., technical-metal bassist Brett Bamberger (ex-Revocation), and guitarist Brody Uttley (Rivers of Nihil). 
  
Each member of New Miserable Experience contributes a distinctive sonic fingerprint. The vocals act as the emotional centre, delivering lines that feel confessional and immediate; synths and guitars are constructed with shimmering arpeggios and decisive motifs; percussion and production choices blend groove and tension within electronic nuance; and bass work often functions as a countermelody, lifting refrains and anchoring transitions. Together the five players emphasise careful craft over spectacle, shaping a song that rewards patient listening.

Across the twelve tightly arranged tracks of 3rd album Gild The Lily, the band pares its palette to essential elements: clear melodies, precise dynamics, and richly textured production. The album trades overt bombast for craft, building emotional weight through small gestures and patient arrangements rather than moments of spectacle.

Elements of Gild the Lily combines alternative synth rock with chorus-tinted guitars, and a rhythm section that alternates between taut propulsion and roomy, reverb-soaked space. Elements of artists as lauded and disparate as Crosses, Ulver, The Black Queen and more combine to irresistible effect.
 
New Miserable Experience are: 
Josh Kost (multi-instrumentalist)
Brody Uttley (guitar)
Brett Bamberger (bass)
David Grossman (vocals)
BJ McMurtrie (drums)

For more:
PELAGIC PROFILE * INSTAGRAM

Tracklisting: 

1.    Heartsick 
2.    Ordinary People
3.    The Devil We Know 
4.    In the House of Denial 
5.    Infinite Sadness
6.    Payback From God
7.    Yours to Bury 
8.    Perfect Things
9.    Letters to Insomnia
10.    Perfect Blue
11.    Running the Fear of it Dry 
12.    Ataraxia

JeGong, the collaborative force of Dahm Majuri Cipolla (MONO) and Reto Mäder (SUM OF R.), have today announced their bold and genre-sculpting new album Gomi Kuzu Can.

Gomi Kuzu Can will be released 27th February via Pelagic Records - and the duo have released the first single from the record, 'Patterns'.

Watch the single here: https://youtu.be/v6jI64Ubzrg
Pre-order here: https://orcd.co/jegong-gomikuzucan

The band comment: "'Patterns' is our way of playing with repetition and motion - musically and mentally. The track feels like running through familiar spaces that constantly reshape themselves. That tension between nostalgia and forward momentum marks the beginning of the world of Gomi Kuzu Can. In the accompanying video, this idea is taken further as dream and reality merge, enhancing the sense of moving within a flowing cycle between inner perception and outward motion".

Known for their immersive, rhythm-driven explorations of krautrock and experimental sound design, JeGong now take an exhilarating leap into brighter, nostalgically stranger territory.

Gomi Kuzu Can is an electrifying journey through kraut, post- and experimental rock, delivered with the analogue warmth of the ’70s. 

Across eleven meticulously crafted tracks, JeGong embrace their roots while fearlessly expanding into neon-lit, beat-driven worlds where kinetic rhythms meet playful sonic futurism. It is music built for movement, contemplation, and the ecstatic strangeness of possibility. Their approach borrows the endurance and patience of minimalism, but they subvert minimalism’s austerity with grit, distortion, and physicality. The result is music that feels alive in motion: constantly shifting, tightening, unfurling, and mutating even when its core pulse remains unbroken.

At the centre is the duo’s uncanny rhythmic intuition: drums that pulse with krautrock steadiness, bass lines that swing between monolithic foundation and crude melodic insistence. Together, these elements create a sonic environment that feels both mechanical and deeply human, ritualistic yet instinctual.

One of the album’s most striking achievements is its analogue warmth. In an era dominated by pristine digital surfaces, JeGong embrace imperfection: human element in every beat and modulation. Gomi Kuzu Can, is hand-built, lovingly assembled from circuitry, intuition, and raw creative impulse. This tactile quality is precisely what makes the album’s danceability so impactful. In blending organic rhythm with retro-electronic brightness, they’ve created a sound that is both familiar and refreshingly new.

JeGong are: 

Reto Mäder – bass, guitar, analogue synthesizer, electronics, mellotron, effects, amps, sounds
Dahm Majuri Cipolla – drums, percussion, effects, sounds

For more:

PELAGIC PROFILE * INSTAGRAM * FACEBOOK * BANDCAMP

Tracklisting: 

1. Golden Hairs Goes Back To Japan
2. Outright Wolf Medicines
3. Contortion
4. Downed
5. Chalk
6. What Ever Happened To Gene
7. Sister
8. Parallel Tracks
9. Patterns
10. Müll Schrott Dose
11. Obaachan Bingo