With 'Weather Eye,' Half Me return with one of their most crushing and confrontational tracks to date. The long-awaited new single is a suffocating descent into manipulation, blind obedience, and the devastating consequences of placing faith in false idols.
Watch the video here: https://youtu.be/hqppDYqF_9E
Stream here: https://arisingempire.com/halfme
Blending relentless aggression with an atmosphere of looming dread, the Hamburg-based metalcore outfit once again prove why they have become one of Europe's most exciting heavy acts. Lyrically, 'Weather Eye' is a direct attack on systems of control and the figures who exploit fear, loyalty, and suffering for their own gain. Lines such as “These saints hold smoking guns” and “No one’s watching over you” dismantle the illusion of protection and expose the hypocrisy hidden behind authority, belief, and power.
Throughout the song, feelings of apathy, hopelessness, and inner collapse collide with a growing sense of resistance, ultimately culminating in a violent rejection of those who seek to control others. Musically, Half Me deliver exactly what fans have come to expect: punishing breakdowns, razor-sharp riffs, oppressive atmosphere, and explosive vocal performances that shift seamlessly between seething tension and outright fury. Every section of 'Weather Eye' feels designed to ignite chaos, combining modern metalcore precision with the raw intensity that has become the band's trademark.
Since emerging as one of Germany’s fastest-rising heavy exports, Half Me have built a reputation through relentless touring, acclaimed festival appearances, and a string of hard-hitting releases that have resonated far beyond their home country. Sharing stages with some of the biggest names in modern heavy music and steadily expanding their international audience, the band have established themselves as a formidable force within the new wave of European metalcore.
Half Me online:
https://www.instagram.com/half_me.mp3
https://www.tiktok.com/@half_me
Hotly-tipped French alt.metal band Sunborn today share their new single 'Infinity Pool' and announce their signing with Solid State Records (The Devil Wears Prada, Miss May I, and more).
Watch the video for the glitchy yet moody battering ram of a track here: https://youtu.be/_3FiSB3uN0g
Be forewarned - the video may haunt your dreams and replay in your mind when you close your eyes.
"The song is a haunting take on emotional isolation, disconnection, and the quiet paralysis of watching life move forward without you," the band's vocalist Lino Chesnel says. "This track captures the surreal feeling of existing inside your own enclosed world: Suspended between reflection and reality, unable to fully connect with the lives unfolding around you. 'Infinity Pool' explores what it means to remain emotionally stranded. There's a constant tension between longing and surrender, a desire to break free colliding with the fear that nothing will ever truly shift."
Chesnel continues, "At its core, it is about my own experience of dissociation in a hyperconnected world, but also searching for meaning inside the echo chamber of your own thoughts. I think that's something a lot of people experience but struggle to put into words."
Sunborn hail from Montpellier, in the south of France. This group of adventurous musicians aims to blend unconventional influences by bridging the gap between digital and analogue art while embracing modern sounds.
Thus, Sunborn shine a new light on what is sonically possible.
At the heart of Sunborn's songwriting is melody. Whether drawing from the crushing intensity of Knocked Loose or the infectious global rhythms of Bad Bunny, the band approaches music without boundaries, blending influences from every corner of the musical spectrum into something uniquely their own. Their vision is simple yet ambitious: To bridge the gap between violence and harmony in the most innovative way possible.
Over the past year, Sunborn have continued to build momentum through powerful live performances, with standout moments including their successful headline tour in January and a nationwide support run across France alongside Resolve.
'Infinity Pool' marks the breakout success of the band's previous two singles, 'Glacier' and 'Nebula', garnering nearly one million streams and views.
The road ahead marks a new chapter for the band. Following a summer packed with festival appearances, Sunborn will join acclaimed Nordic outfit Atlas for an extensive UK and European tour this September. At the same time, the band is preparing to unveil the most expansive and ambitious version of their sound to date - pushing its artistic vision further than ever before while remaining true to the emotional core that defines their music.
For Sunborn, the past is a source of inspiration, but the future is where their story truly begins.
Sunborn live:
Supporting Atlas
Sept 10 Nottingham Rescue Rooms
Sept 11 London Underworld
Sept 12 Manchester Academy 3
Sept 13 Brighton The Green Door Store
Sunborn are:
Lino Chesnel — Vocals
Dylan Vie — Guitar
Enzo Covelli — Bass
Alois Jampy — Drums
Sunborn online:
https://www.instagram.com/sunborn___
https://www.facebook.com/sunbornfr
https://www.youtube.com/@SUNBORN
https://open.spotify.com/artist/39bLxLnMXWV7LMinf717gS?si=NuSkgbpuQ26AHrLeQqU3mQ
Photo Credit: 360Grad Design
Rising modern metal stars DOMINUM expand their catalogue with a new catchy hymn: 'Dark Melodies' is a haunting ballad in waltz time, blending an eerie atmosphere, powerful vocals, and a massive melodic hook. The third single from the upcoming album, Night is Calling, which will be released on 3rd July via Napalm Records, 'Dark Melodies' emphasises DOMINUM’s strong presence in the metal scene, in which they have created their very own niche. Horror aesthetics and arena-ready hooks – this band has it all, and the enticing new single is further proof of that.
Watch the video here: https://youtu.be/A80RJOGdWis
Pre-order Night Is Calling: lnk.to/DOMINUM-NightisCalling/napalmrecords
Dr. Dead comments on the new single: "I never had a problem being alone. At least, I thought I didn’t. But for some time now – far too long – I’ve been hearing these melodies. Always. They whisper in my mind, tugging at me, like a black shadow sneaking into my heart. Sometimes sweet, sometimes bitter, but always an unstoppable pull I cannot escape. Dark melodies – they are there, even when no one else can hear them.
Yours, Dr. Dead”
Dominum, led by mastermind and singer Felix Heldt—better known as Dr. Dead—open the next chapter of their dark, theatrical universe with their new full-length Night Is Calling. With their bombastic sound and outstanding stage presence, the band continues its rapid ascent on the international metal scene, without losing sight of its strengths: theatrical, melodic, and uncompromising modern metal—driven by the dark charisma of Dr. Dead and his zombies. One thing is certain: the Living Dead Squad continues to grow.
Dr. Dead on Night Is Calling:
"'They grow up so fast.' – Ugh. It makes me sick. And now I feel it myself: my zombies have grown up. Our creation… has grown up too.
"But unlike the pitiful rest, we don’t mourn our childhood. No. We revel in who we are. Being a child, being an adult – what does that even mean? Anyway – the world lies at our feet, and we can do whatever we damn well please.
"Believe me from firsthand experience: an army of zombies makes everything a hell of a lot easier… and way more fun with every bit of trouble getting the punch it deserves. We have the power to reshape our world. And oh, we do.
"Night Is Calling - this is our outlet.
"Stronger melodies, heavier riffs, sharper, unflinching lyrics – honesty as our deadliest weapon. We are who we are. And you… you’re in this whether you like it or not. The undead are on the march, more relentless than ever. Join us – immediately, willingly… or a little later when we come to your neighborhood. Either way… we’ll be seeing you."
Dominum will be touring the UK in December.
Dates:
08.12.26 UK – Manchester / O2 Ritz
09.12.26 UK – Bristol / Bristol Electric
10.12.26 UK – London / Electric Brixton
Led by Dr. Dead (vocals) and his Zombies – Tommy Kemp (guitars), Patient 0 (bass), and Victor Hilltop (drums) – Dominum have already taken their undead spectacle to major stages across Europe. Touring alongside icons such as Bruce Dickinson, Avantasia, Battle Beast and Peyton Parrish, the band has proven its strength both at major festivals and during their own headline shows.
Produced by Felix Heldt and mixed by renowned producer Jacob Hansen, Night Is Calling expands the band’s sonic universe with even heavier riffs, bigger choruses and cinematic drama. The explosive opener 'The Circus Is In Town' throws listeners straight into Dominum’s twisted carnival, while infectious anthems such as 'Doctor Doctor' and 'Dark Melodies' deliver massive hooks destined to echo across festival crowds. The powerful title track 'Night is Calling' (feat. Battle Beast) further highlights the band’s growing presence on the international metal stage.
Dominum are:
Dr. Dead – Vocals
Patient 0 – Bass
Victor Hilltop – Drums
Tommy Kemp – Guitars
Dominum online:
WEBSITE
FACEBOOK
INSTAGRAM
TIKTOK
NAPALM RECORDS
Tracklist:
1 The Circus Is In Town
2 Doctor Doctor
3 Children Of The Night
4 Nosferatu
5 Dark Melodies
6 Night is Calling (feat. Battle Beast)
7 Jack The Ripper
8 Thriller (Michael Jackson Cover)
9 Devil's Son
10 I Don't Drink Wine
11 Endzeit
12 Don't Get Bitten By The Wrong Ones (Acoustic)
13 Hey Living People (Acoustic)
Photo Credit: Paulie Moore
Finnish psychedelic rock innovators POLYMOON have released their new single 'I End, You Begin'. This intense, explosive, and fast-paced track serves as the first release from the band’s forthcoming third album Mariposa Magic!, out later this year.
Watch the video here: https://youtu.be/vUieA5b0NjI
Stream here: https://tr.ee/vesperian_polymoon
'I End, You Begin' is an energetic and direct piece driven forward by accelerating momentum and bursts of force. Riff-driven, intense, and concise, the track stands apart from the band’s earlier work and marks a powerful return — a bold way to kick the doors open and reveal what the band has been working on.
The song originated from an idea developed early in the album process but only found its final form towards the very end of the recordings. From the beginning, the goal was clear: to create a piece as intense and explosive as possible, with energy at its core.
Thematically, 'I End, You Begin' moves through shades of love, desire, and ecstasy. It portrays a deep and intimate connection between two people - both emotional and physical - where boundaries begin to blur and the experience feels almost like breathing: inevitable, consuming, and continuous.
On upcoming album Mariposa Magic!, POLYMOON expand and deepen the psychedelic post-gaze sound they first introduced on Caterpillars Of Creation and Chrysalis. The album is produced by Juho Vanhanen, best known as the frontman of Oranssi Pazuzu, who also worked on the band’s debut Caterpillars Of Creation. Under his guidance, the band broaden their sonic palette while sharpening their distinct identity. The result is an ambitious body of work that further establishes POLYMOON as one of the most distinctive voices in modern psychedelic rock.
Across Mariposa Magic!, shimmering guitars, hypnotic textures, and organically flowing rhythms come together in compositions that feel less like individual tracks and more like immersive experiences. The music unfolds in layers: melodies emerge gradually, expand, and dissolve into a wider, radiant soundscape. The result is a sense of movement and weightlessness that deepens with each listen.
The band’s precise and accomplished musicianship is balanced by a dreamlike, fluid approach, where detail and atmosphere exist seamlessly side by side. The album fulfills the promise of their earlier work and presents POLYMOON as a fully realized entity — confident, ambitious, and unafraid.
Mariposa Magic! is an album to inhabit: rich in detail, endlessly replayable, and rewarding the listener with new shades and moments each time it spins.
Production: Juho Vanhanen
Recording & Mixing: Valtteri Väänänen at Lammaskallion Audio
Mastering: Virtalähde Mastering
Cover Art: Elizaveta Porodina
Graphic Design: Raakel Puukko
POLYMOON are:
Kalle-Erik Kosonen - Vocals
Jesse Jaksola - Guitar, synthesizers
Otto Kontio - Guitar
Marco Menestrina - Bass
Tuomas Heikura – Drums
POLYMOON online:
https://www.instagram.com/polymooooon
https://www.facebook.com/polymooooon
Photo Credit: Robert John
German heavy metal legends ACCEPT kick off their celebration of 50 historic years with a new version of their classic hit, 'Fast as a Shark', originally released on Restless and Wild in 1982. This new rendition of one of the genre’s most iconic songs features metal legends Phil Anselmo, Kirk Hammett, Mikkey Dee, and Billy Sheehan, alongside ACCEPT members Wolf Hoffmann and Mark Tornillo. This metal supergroup performance truly sets the tone for the entire upcoming album, Teutonic Titans 1976-2026, which is to be released on 4th September via Napalm Records. The album serves as both a celebration of the band’s history and the heavy metal genre itself, in which they played a pivotal and highly influential part. 19 timeless tracks, 50 iconic guests - and they’re starting as 'Fast as a Shark'!
Stream 'Fast as a Shark' here: https://youtu.be/R0YOm5-iaO4
Pre-order: https://lnk.to/Accept-TeutonicTitans/napalmrecords
Wolf Hoffmann comments: "This song was so much fun! We even re-recorded the intro in a Bavarian oompah style… a friend of mine lives in Bavaria, and he was in contact with one of those traditional Bavarian woodwind outfits, and they recorded the traditional German folk song ‘Ein Heller und ein Batzen’ for us, which was fantastic. We were lucky to get Phil Anselmo on vocals, Billy Sheehan on bass, and of course Kirk Hammett on guitar, which is amazing, and Mikkey Dee on drums, so that’s a pretty nice supergroup, isn’t it?"
Kirk Hammett about 'Fast as a Shark': "A real honor to pay back the great inspiration ACCEPT had for me!"
German heavy metal legends ACCEPT celebrate 50 years of pure power, bringing together the scene’s A-list musicians for a landmark release. Teutonic Titans 1976–2026 stands as a definitive statement of the band’s legacy, forged in steel and driven by unmistakable riffs. Arriving 4th September via Napalm Records, the album delivers some of the most iconic songs ever written in heavy music.
Led by guitarist Wolf Hoffmann, the longtime architect of ACCEPT’s sound, the band are joined by a staggering 50 guests across 19 reimagined versions of their biggest tracks. Teutonic Titans 1976-2026 is ACCEPT’s most ambitious and star-studded release to date, reaching far beyond their country’s borders. Featuring the biggest names in heavy music paying tribute to the German icons, the record cements the band’s standing on the global stage.
This is more than an album; it is a manifesto of metal. Pre-orders are now available in various exclusive formats.
Wolf Hoffmann about Teutonic Titans 1976-2026:
“There is no better way to celebrate this 50-year anniversary than to have our musical peers, friends, and inspirations come together with us to record these classic ACCEPT songs, which I am honored and proud to share with the world. I hope everyone enjoys this very special record as much as we all enjoyed making it.”
Chronologically progressing through albums from their formative years, from I’m a Rebel (1980) to Eat the Heat (1989), ACCEPT present their songs with an all-new, all-star lineup, alongside the signature voice of Mark Tornillo and Wolf Hoffmann’s unmistakable riffs. By enlisting a Who’s Who of metal, no two songs on Teutonic Titans 1976-2026 are the same. Every track features a different combination of vocals, guitars, bass, and drums, giving each classic a fresh edge.
Tobias Forge delivers a commanding performance on the track 'Save Us' (I’m a Rebel, 1980), joined by Ray Luzier on drums. Phil Anselmo, Kirk Hammett, and Mikkey Dee tear through the speed metal classic 'Fast As A Shark' (Restless and Wild, 1982). 'Balls to the Wall' surges with the powerful range of Metal God Rob Halford, alongside the guitar work of Matthias Jabs, while the reimagined 'Love Child' is elevated by Billy Corgan and David Ellefson (both songs from Balls to the Wall, 1983).
Other guest stars on ACCEPT’s extraordinary release include K. K. Downing, Bobby Blitz, Hansi Kürsch, Chris Jericho, Ralf Scheepers, Billy Sheehan, Ola Englund, and Jeff Loomis. The album also features a re-recording of 'Hellhammer' (Eat the Heat, 1989), performed by ACCEPT’s current lineup: Wolf Hoffmann, bassist Martin Motnik, guitarist Philip Shouse and drummer Christopher Williams, joined by Jason McMaster on vocals. The album masterpiece was produced, mixed and mastered by legendary producer Zeuss.
ACCEPTare:
Wolf Hoffmann – guitar
Mark Tornillo – vocals
Philip Shouse – guitar
Martin Motnik – bass
Christopher Williams – drums
Watch ACCEPT in the UK:
27.08.26 UK - Wolverhampton / KK’s Steel Mill
28.08.26 UK - London / Indigo at The O2
ACCEPT online:
FACEBOOK
INSTAGRAM
TWITTER
VK
TIKTOK
NAPALM RECORDS
Tracklisting:
1. Fast as a Shark
2. Balls to the Wall
3. Aiming High
4. Run If You Can
5. Hellhammer
6. Metal Heart
7. Losers and Winners
8. Save Us
9. Up to the Limit
10. Wrong Is Right
11. Starlight
12. Fight It Back
13. Love Child
14. Breaker
15. Demon’s Night
16. T.V. War
17. London Leatherboys
18. Monsterman
19. Restless and Wild
Slift and Slow Crush will complete the line-up for Pelagic Fest 2026, a boutique festival showcasing Berlin record label Pelagic Records’ take on contemporary progressive, post-rock and experimental heavy music. The two day event takes place on 28th and 29th August at Muziekgieterij in Maastricht, The Netherlands.
After a secret satellite show in Morocco in June, headliners The Ocean will return to the stage with a new lineup for their first ever performance on European shores to give a glimpse of their upcoming album Solaris, due for a September 2026 release. They are joined by The Kilimanjaro Darkjazz Ensemble for an ultra-rare one-off performance, as well as Swedish post rock luminaries Oh Hiroshima and EF, Finish progressive metal act Wheel and many more.
Complementing Pelagic Records’ diverse roster - from serene post-rock to uncompromisingly heavy sounds - a number of guest acts have been invited to further enrich and broaden the festival’s musical landscape.
Pelagic Fest 2026 is shaping up to be another standout celebration of the adventurous spirit and sonic diversity that have come to define the label.
Along with the final band announcement, the stage splits and times have also been revealed:
Friday 28th August:
16:00 - Preyrs - Small Room
16:45 - Spurv - Big Room
17:50 - Abraham - Small Room
18:35 - EF - Big Room
19:40 - Red Dwarf Star - Foyer
20:25 - Predatory Void - Small Room
21:15 - Wheel - Big Room
22:20 - Som - Small Room
23:25 - The Ocean - Big Room
Saturday 29th August:
13:40 - Hanry - Big Room
14:30 - Norna - Small Room
15:20 - The Devil's Trade - Big Room
16:10 - Zatokrev - Small Room
17:00 - Lost In Kyiv - Big Room
18:05 - Slow Crush - Small Room
18:55 - Oh Hiroshima - Big Room
20:30 - Otay:Onii - Small Room
21:25 - The Kilimanjaro Darkjazz Ensemble - Big Room
22:40 - A.A Williams - Small Room
23:45 - Slift - Big Room
As a teaser for this year's Pelagic Fest, they has released a venue tour video, filmed at the 2025 edition. Watch here: https://youtu.be/gjf5_VH7cvY
Tickets are availble here: https://muziekgieterij.stager.co/shop/pelagic
More information on Pelagic Records:
Founded in 2009 by post-metal spearheads The Ocean and their Berlin collective, Pelagic Records has grown into one of the most influential labels in the realms of post-rock, post-metal, and progressive/left-field heavy music. Over the years, Pelagic has worked with an impressive roster of artists, including MONO, Årabrot, Sugar Horse, Year of No Light, and Bruit ≤, among many others. Celebrating its 15th anniversary last year, Pelagic Records is focused on further solidifying its legacy by establishing Pelagic Fest as an annual event, an occasion that removes barriers and brings together artists and fans for a captivating celebration of the music that defines the label’s diverse and forward-thinking sound.
Pelagic Records online:
https://pelagic-records.com
https://www.facebook.com/pelagicrecords
instagram.com/pelagic_records
https://pelagicrecords.bandcamp.com/
With 'Flowers To A Knife Fight', Norwegian deathpop punks Blood Command turn betrayal, disappointment and emotional exhaustion into a blazing modern punk anthem built for sweaty clubs and massive festival singalongs alike.
Stream here: https://arisingempire.com/bloodcommand
Fueled by explosive energy, razor sharp hooks and the band’s unmistakable blend of punk urgency, pop sensibility and chaotic heaviness, the track captures the moment where heartbreak transforms into defiance. Driven by the instantly memorable refrain “I’m never gonna be that dumb”, 'Flowers To A Knife Fight' channels the frustration of broken trust and fading idols into a massive shout along chorus impossible to shake.
Lyrics about stolen light, empty apologies and losing faith in the people once held closest give the song an emotional rawness beneath its infectious energy. Rather than sinking into bitterness, Blood Command turn personal disappointment into something empowering, loud and unapologetically alive. Bursting with punchy riffs, relentless momentum and the band’s signature deathpop chaos, the single balances aggression and melody with effortless confidence.
Since forming in 2008, Blood Command have built a cult following through their fearless genre bending sound, acclaimed live performances and relentless touring alongside artists such as Refused, Kvelertak and Biffy Clyro. With Kerrang! acclaim and multiple Spellemann nominations under their belt, the band continue to push punk into bold new territory.
Catch the band live:
29.05.2026 I Zinor (Collective ICROACOA) I Montaigu, FR
30.05.2026 I Union Saint Bruno I Bordeaux, FR
29.07.2026 I Wacken Open Air I Wacken, DE
Blood Command online:
https://www.instagram.com/bloodcommand
https://www.facebook.com/Bloodcommand
Hopsydian push emotional extremity and crushing heaviness to new heights with their latest single 'ELYSIUM', a dark and cinematic descent into fractured identity, spiritual abandonment and the violent pursuit of transcendence.
Stream here: https://arisingempire.com/hopsydian
Combining relentless modern metalcore aggression with sacred choir elements, towering atmosphere and beatdown loaded riffs, the track balances brutality and beauty with unsettling intensity. Driven by themes of inner ruin, corrupted faith and self deification, 'ELYSIUM' explores the emotional conflict between guilt and empowerment. Lyrics like “Every scar is a vow I survived” and “There’s grace in sin” paint a portrait of someone shaped by pain, no longer searching for salvation but becoming something terrifyingly divine in the process.
The song constantly shifts between whispered confession and explosive defiance, mirroring the psychological collapse unfolding beneath its massive production. Haunting choirs echo like fractured prayers throughout the track, colliding with crushing breakdowns and punishing drums that amplify the tension between sin and transcendence. As the song builds toward its radiant and emotionally overwhelming chorus, Hopsydian create a sound that feels both apocalyptic and euphoric, equal parts spiritual reckoning and violent rebirth.
Catch the band live:
27.06.2026 I Chelsea I Vienna, AT
15.08.2026 I Summer Breeze Open Air I Dinkelsbühl, DE
Hopsydian online:
https://www.instagram.com/hopsydianofficial
https://www.facebook.com/hopsydianband
Photo Credit: Pelagic Records
A lot of bands wouldn’t have recovered. From 2022 to 2025, post-metal visionaries The Ocean lost two-thirds of their members, with the lineup that made fan-favourite albums Phanerozoic I (2018), Phanerozoic II (2020) and Holocene (2023) stripping itself away. After a victorious final bow at Hellfest last year celebrating this lineup that had lasted for over a decade, only founding guitarist, songwriter and lyricist Robin Staps, longtime bassist Mattias Hägerstrand and new drummer Jordi Farré (also of Crippled Black Phoenix) remained.
Those who stayed could easily have called it quits, but instead, they rebuilt with and re-emerged with Solaris: the most ambitious album of The Ocean’s 25-year career. A near-70-minute journey to the stars and back, it’s based on late Soviet filmmaker Andrei Tarkovsky’s masterpiece of the same name.
The first single from this upcoming album, 'Light Pollution', begins with familiar synth textures that connect seamlessly to its predecessor, Holocene, before gradually picking up momentum and moving in a different direction. The song culminates in a towering, slow-burning finale of orchestral grandeur, suffocating heaviness, and subdued rhythmic complexity.
Solaris will be released via Pelagic Records on 25th September.
Pre-order: https://orcd.co/theocean-solaris
“Orbital motion or particles and grains of sand / is there any meaning in these patterns”, new vocalist Enrico Tiberi sings at the beginning of the song. Orbital motion is not only the gravitationally curved trajectory of a celestial body; in another context — alluding to early scenes in the film Solaris — orbital motion in water refers to the circular or elliptical paths water particles follow as waves pass through, transferring energy without moving the water itself forward.
'Light Pollution' explores the pitfalls of 21st-century technology and humanity’s growing obsession with simulated reality. But do the many technological and social advances of recent decades truly represent progress? “We’ve witnessed several communication revolutions throughout the 20th and 21st centuries, but have we actually become any better at communicating?” comments Robin Staps. “Has there really been forward movement, or has the motion been orbital — have we merely been treading water? Light pollution symbolizes the transparency of the postmodern age, permeating everything and everyone. Everything is constantly visible; we’ve lost the darkness to hide in, and with the relentless glare of communication, we’ve also lost our privacy.”
For the music video for 'Light Pollution', The Ocean have enlisted the talents of filmmaker Craig Murray (Mogwai, Converge), to create a narrative arc that combines the arrival of new vocalists Lane Shi and Enrico Tiberi with the song’s lyrics. Murray’s attention to detail is a match for The Ocean; his specificity with regards to costume, design and props elevates the visual accompaniment to 'Light Pollution' to a cinematic level.
Watch the video for 'Light Pollution' here: https://youtu.be/iFAc9-6-LSg
With their 12th studio album, The Ocean usher in a new era in the band’s 25-year history. Emmanuel Jessua of Hypno5e and Marco Gennaro join on guitar, while vocalists Enrico Tiberi and Lane Shi (Elizabeth Colour Wheel, Otay:Onii) step in to replace Loïc Rossetti.
For the recording of Solaris, the band further expanded its creative circle with contributions from Thorsten Quaeschning of Tangerine Dream on modular synthesizers. Jens Bogren, who previously mixed the band’s landmark albums Pelagial and Phanerozoic I and II, once again handled mixing and mastering.
Solaris is arguably the boldest album to bear The Ocean's name so far. It’s musically intrepid, it’s conceptually fascinating and it’s got many vital things to say about the world around us. The band have well and truly resurfaced, and they’ve done so in shimmering form.
Line-up:
Robin Staps – guitar, vocals
Mattias Hägerstrand - bass
Jordi Farré – drums, percussion
Enrico Tiberi – vocals, keys
Lane Shi – vocals
Emmanuel Jessua – guitar
Marco Gennaro – guitar
In addition, the following musicians performed on this record:
Thorsten Quaeschning – keys
Orestis Zafiriou – keys
Simen Eifring – trombone
Jiawei Zhang – vibraphone
Track list:
1. 52°30'11" N, 13°26’12“ E
2. Departure Song
3. Light Pollution
4. Simulacra
5. Belligerence
6. Ultima Esperanza
7. Milk Of My Dreams
8. 51°28'30" S, 73°6'11" W