Raphael Weinroth-Browne releases new album Empyrean and unveils mesmerising final single 'Murmuration'

Photo Credit: Curtis Perry

Acclaimed Canadian cellist and composer Raphael Weinroth-Browne releases his highly anticipated third solo album Empyrean today, alongside the unveiling of its mesmerising final single, ‘Murmuration’ as he prepares to join Einar Solberg on his forthcoming European tour later this month. Created through Weinroth-Browne’s distinctive combination of live-looping, layered cello and effects, the track transforms the instrument into a vast, ever-shifting soundscape, with insistent rhythms and soaring melodic lines moving together in constant motion.

Originally composed for UK contemporary dance company James Wilton Dance and their production BACH Reimagined, ‘Murmuration’ draws inspiration from both J. S. Bach and trailblazing saxophonist Colin Stetson, its cyclical arpeggios forming the backbone of a piece that feels simultaneously organic, orchestral and otherworldly. Like the flock of birds from which it takes its name, multiple individual voices converge into a single, constantly evolving whole, gathering momentum before ultimately dissolving into an endless horizon.

Watch the video: https://youtu.be/afffd2Y-JPo

Order Empyrean album here: https://raphaelweinroth-browne.bandcamp.com/album/empyrean

Comments Raphael: "'A murmuration is a large flock of birds that soar and swoop together in synchrony, forming one unified ever-changing shape. When I play this piece I am reminded of birds diving and ascending over ocean waves, always in motion, with many individual parts moving as one collective whole. The way in which my compositions come together with live looping feels very similar, with multiple voices interweaving, forming a movement trail with sound. In this piece, insistent rhythms pulse with unrelenting drive while soaring lines reach ever higher, as if to touch the untouchable. At the end, the rhythms fall away and all the voices are unified, fading into an endless horizon.  

"The simple but effective setting for the music video for 'Murmuration' recalls the Empyrean cover artwork with its shimmering gold stars and cathedral arch set against a backdrop of oceanic blue."

The track offers a fitting introduction to Empyrean, an album rooted in Weinroth-Browne’s fascination with transformation, impermanence and the space between the composed and the unpredictable. Across its pieces, the cello becomes less a traditional classical instrument and more a vehicle for creating entire worlds of sound, moving between intricate composition, ambient textures, repetition, distortion and experimentalism.

‘Murmuration’ arrives alongside the album’s release and follows the previously unveiled ‘Dissolution’, a mesmerising deconstruction of the Sarabande from Bach’s Sixth Cello Suite which gradually fractures from Baroque elegance into distortion, noise and near-abstract sound. Together, the two recent tracks capture the extraordinary breadth of Empyrean, music that can begin with a single cello voice and expand into something far larger, stranger and more elemental.

The origins of new album Empyrean itself are as cinematic as the music it contains. In 2024, Weinroth-Browne was commissioned by James Wilton Dance to compose an 80-minute score inspired by the music and legacy of Johann Sebastian Bach. What emerged became BACH Reimagined: a touring multidisciplinary work exploring immortality, artistic transcendence and the pursuit of the sublime through creation.

Rather than simply reinterpret Bach, Weinroth-Browne entered into dialogue with him across centuries. The resulting compositions fuse the purity and mathematical elegance of Baroque counterpoint with distorted textures, electronic ambience and towering rhythmic weight. Tracks such as 'Speed of Light' and 'Dissolution' plunge Bach-inspired motifs into vast storms of noise and metallic tension, while the meditative 'Sanctum' evokes Sufi mysticism and devotional stillness.

“At its core,” Weinroth-Browne explains, “Empyrean is about the search for the sublime. As artists, we spend our lives trying to create something that transcends the everyday, if only for a split second, as if to glimpse eternity through a keyhole.”

Captured at Union Sound Company in Toronto immediately following the sessions for 2025’s critically acclaimed Lifeblood, Empyrean finds Weinroth-Browne operating at the peak of his creative powers. The album was recorded and engineered by Darren McGill (Rush, The Dirty Nil), mixed by Adam Noble (Leprous, Katatonia) and mastered by Robin Schmidt (Leprous), resulting in a sound both immense and intimate, every bow stroke preserved with almost tactile immediacy. Artwork comes from London-based printmaker and collage artist Cally Conway, discovered by Weinroth-Browne in Brighton during the BACH tour.

Watch the videos for previous singles 'Speed of Light', 'Reflection' and 'Evocation', and discover Raphael's breathtaking standalone interpretation of Sleep Token's 'Fall For Me' released last month, showcasing yet another side of his remarkable artistry.

The new release follows a run of widespread critical acclaim. His 2020 debut Worlds Within was praised as "masterful" and "a stunning example of less being more," while 2025's Lifeblood saw Raphael further expand his sound into rich cinematic territory, earning praise as "a triumph of vision and virtuosity" and "the most ambitious album of Weinroth-Browne's career."

That same fearless boundary-pushing has made Weinroth-Browne an essential figure within modern progressive music. His cello work can be heard on hundreds of studio albums, including Woods of Ypres’ Juno Award-winning W5: Grey Skies & Electric Light and across many major film and TV soundtracks. Viral interpretations of Opeth, Katatonia and Steven Wilson have drawn direct praise from the artists themselves, further cementing his reputation as a boundaryless interpreter and composer.

Since joining Norwegian prog visionaries Leprous in 2016, he has performed over 200 shows worldwide and contributed to three of their studio albums, helping redefine the role of cello in progressive heavy music. Beyond Leprous, he has shared stages with Evanescence, Apocalyptica and Devin Townsend.

As a solo artist, Weinroth-Browne has become an ambassador for what the cello can be in the 21st century. He has made waves at prestigious festivals such as the Cello Biennale Amsterdam and the International Cello Festival of Canada and has opened for artists ranging from Polish neoclassical pianist Hania Rani to Nordic folk ensemble SKÁLD and Danish prog metal masters VOLA.

With a busy year of live performances, including a recent European tour with Earthside and an upcoming run alongside Einar Solberg, Raphael Weinroth-Browne continues to expand the possibilities of the cello. With Empyrean arriving later this year, he further cements his reputation as one of the instrument's most adventurous and distinctive modern voices.

Catch Raphael Weinroth-Browne live on the following dates:

September 18 – The Garage, London, UK (solo and with Einar Solberg)
September 19 – Café de la Danse, Paris, France (solo and with Einar Solberg)
September 20 – Le Rex, Toulouse, France (solo and with Einar Solberg)
September 21 – La Rhapsodie, Biarritz, France (solo and with Einar Solberg)
September 22 – Mouco, Porto, Portugal (solo and with Einar Solberg)
September 23 – República da Música, Lisbon, Portugal (solo and with Einar Solberg)
September 25 – Be Prog! My Friend, Barcelona, Spain (with Einar Solberg)
September 26 – L’Ampérage, Grenoble, France (solo and with Einar Solberg)
September 27 – Euroblast Festival, Cologne, Germany (with Einar Solberg)
September 29 – Hype Park, Kraków, Poland (solo and with Einar Solberg)
September 30 – Lido, Berlin, Germany (solo and with Einar Solberg)
October 1 – Gebläsehalle, Neunkirchen, Germany (solo and with Einar Solberg)
October 2 – Werkk Kulturlokal, Baden, Switzerland (solo and with Einar Solberg)
October 4 – ProgPower Europe, Baarlo, Netherlands (with Einar Solberg)
October 7 - Queens Hall Arts Centre, Hexham, UK (BACH Reimagined with James Wilton Dance)
October 23 - Guelph, ON - Silence
October 24 - Guelph, ON - Silence
October 29 - Toronto, ON - Burdock Music Hall
November 6 - Ottawa, ON - Carleton Dominion Chalmers Centre
November 12 - Copenhagen, Denmark - Pumpehuset - supporting Lamentari

Raphael Weinroth-Browne online:
Official Website || Facebook | Instagram || Youtube ||  X || Bandcamp || Tik Tok 

Empyrean Tracklist: 

1. Speed of Light
2. Remnant
3. Evocation
4. Murmuration
5. Integration
6. Dissolution
7. Sanctum
8. Reflection
9. Empyrean 

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THROATCUT. drop crushing new 'NO KINGS.' EP

German hardcore outfit THROATCUT. unleash their devastating new NO KINGS. EP, accompanied by the brand new track 'BLOOM.', a merciless collision of suffocating heaviness, feral emotion and uncompromising hardcore aggression.

Watch the video here: https://youtu.be/aY7dU7UeTjU

Stream/pre-order here: https://arisingempire.com/throatcut

Built around images of decay, poisoned roots and severing the ties that keep us trapped, 'BLOOM.' turns destruction into an act of liberation. The song begins in wasted soil, where roots rot and nothing seems capable of growing, before gradually transforming that desolation into something defiant. Every broken branch, every parasite and every scar becomes part of the ground from which something new can emerge.

Musically, THROATCUT. give that transformation a brutally physical form. Jagged riffs, punishing rhythms and vicious screams create an almost ritualistic atmosphere, while the track repeatedly tightens its grip before erupting into crushing passages designed for absolute chaos. The recurring call to “let the willows bloom” becomes more than a refrain. It is the moment where submission gives way to resistance.

Catch the band live: 
​
31.10.2026 I Corefest 2026 I Göppingen (DE)

Throatcut. online:
https://www.instagram.com/throatcut.hc
https://www.facebook.com/throatcut.hc
https://www.tiktok.com/@throatcut.hc

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VENUES enter a bold new era with powerful new single 'Eden' featuring TOK

German modern metalcore outfit Venues open the door to an entirely new chapter with their brand new single 'Eden', a fierce and deeply personal statement of liberation featuring an explosive guest performance from The Oklahoma Kid vocalist Tobias Rische, formerly of Alazka and Novelists.

Watch the video here: https://youtu.be/4syDRMblUy4

Stream here: https://arisingempire.com/venues

More than simply a new song, 'Eden' represents a breaking point and a rebirth. Built around the refusal to bend, obey or reshape yourself to fit somebody else's expectations, the track captures the moment when inner conflict finally turns into freedom. Venues leave behind the pressure to constantly become bigger, faster and more successful, choosing instead to reconnect with the instinct and authenticity that made them want to create music in the first place.

Vocalist Lela Gruber explains: "'Eden' feels like the starting point of a new chapter for me, one that stands in complete opposition to the idea of ‘bigger, faster, further.’ We’re all caught in this constant competition where success seems to mean pushing yourself to the edge of burnout. I want to step away from that. To stop comparing myself to everyone around me and return to making music that feels authentic — where the music itself is at the centre.“

That philosophy runs through every second of 'Eden'. Lyrically, the song confronts the exhausting process of twisting yourself into a shape that was never yours, silencing your own emotions and living according to expectations imposed by others. The repeated declaration "I won’t bend for anyone" becomes the song's central mantra, drawing a clear line between the person you were expected to become and the person you choose to be.

Venues online:
https://www.instagram.com/venuesofficial
https://www.facebook.com/VENUESofficial
https://www.tiktok.com/@venuesofficial

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blacktoothed deliver devastating new single 'Porcelain'

Leipzig-based modern metalcore band blacktoothed return with their devastating new single 'Porcelain', taken from their upcoming album Feral Bloom, set for release on 15th January. Delivering a brutally honest exploration of emotional emptiness, toxic dependency and the damage left behind when unresolved wounds begin to define every connection, 'Porcelain' offers another powerful glimpse into the darker and more vulnerable world of the upcoming record.

Watch the video here: https://youtu.be/d8mPWmvcLkA

Stream and pre-order here: https://arisingempire.com/blacktoothed

Built around crushing riffs, relentless screams and one of the band’s most commanding choruses to date, 'Porcelain' finds blacktoothed confronting the darker side of human attachment. At its core, the song depicts love not as salvation, but as something desperately consumed in an attempt to fill an internal void. “Give me all you got / I need your constant love” immediately establishes a relationship shaped by dependency, with another person reduced to a substitute for everything that has already been lost.

As the track unfolds, that desperation turns inward. Old insecurities, self-deception and destructive habits blur the line between genuine affection and emotional survival. The narrator recognizes the damage being caused, yet remains trapped inside patterns they can barely identify, admitting: “In my mind, I can’t detect my lies.” It is a painfully self-aware portrait of someone searching for connection while simultaneously poisoning it.

Musically, blacktoothed mirror that internal conflict with a collision of raw aggression and striking melody. Punishing guitars and visceral screams give way to a gigantic chorus before the song reaches one of its defining moments: a breathtaking clean vocal duet between Hendrik Rathgeber and guitarist Matti Keitel. Their voices bring an unexpected vulnerability to the track, amplifying the contrast between its violent exterior and deeply fragile emotional core.

Catch the band live: 
25.09.2026 I Burnout Festival 2026 I Nienburg/Weser (DE)

blacktoothed online:
https://www.instagram.com/blacktoothed
https://www.facebook.com/blacktoothed
https://www.tiktok.com/@blacktoothed

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Get The Shot unleash brutal single 'Crucifixion Depiction' and announce upcoming EP

Canadian hardcore heavyweights Get The Shot return with a devastating new single 'Crucifixion Depiction', a brutal and deeply personal confrontation with loss, failure and the painful death of a dream. The track also marks the launch of the pre-order for the band’s upcoming EP of the same name, set for release on 23rd October.

Watch the video here: https://youtu.be/_A6S4JtXi34

Stream/Pre-order here: https://arisingempire.com/gettheshot

'Crucifixion Depiction' pushes the band's forward while channeling one of the most difficult experiences we face as human beings: losing something that once gave our lives direction and meaning. Built on crushing riffs, merciless grooves and sheer physical intensity, the song turns grief into something violent, visceral and painfully tangible.

Rather than focusing solely on the death of another person, 'Crucifixion Depiction' explores another form of mourning, the moment a future you fought for collapses in front of you and you are forced to grieve the person you thought you would become. Lines such as “I’m losing everything / Is this the end of me?” capture the desperation at the heart of the track, while its imagery grows increasingly brutal as shattered ambition becomes a symbolic execution.

Musically, Get The Shot translate that inner conflict into pure hardcore violence. Punishing rhythms, suffocating heaviness and explosive vocal delivery collide in a track designed to hit with both emotional and physical impact. The stark “Nails. Hammer. Cross.” refrain reduces the song’s central metaphor to three brutal images before its final moments turn sacrifice, self-destruction and liberation against one another.

Catch the band live: 
​29.10.2026 I La Rayonne (w/ Benighted, Glassbone) I Lyon (FR)
30.10.2026 I L'Alhambra (w/ Benighted, Glassbone) I Paris (FR)
31.10.2026 I Corefest I Göppingen (DE)
01.11.2026 I Kulttempel I Oberhausen (DE)
02.11.2026 I Les 4 Écluses I Dunkerque (FR)
03.11.2026 I Kavka I Antwerpen (BE)
04.11.2026 I Naumanns I Leipzig (DE)
05.11.2026 I Cafe Central I Weinheim (DE)
06.11.2026 I Monkeys I Hamburg (DE)
07.11.2026 I Belvedere I Namur (BE)
08.11.2026 I La Laiterie (w/ Benighted, Glassbone) I Strasbourg (FR)
09.11.2026 I 007 Strahov I Prague (CZ)
10.11.2026 I Cassiopeia I Berlin (DE)
11.11.2026 I 2Progi (w/ Nasty, Crawlspace, Pintglass) I Poznan (PL)
12.11.2026 I Pink Whale I Bratislava (SK)
14.11.2026 I Sunset Bar I Martigny (CH)
15.11.2026 I Ebulition I Bulle (CH)

Get The Shot online:
https://www.instagram.com/gettheshothc
https://www.facebook.com/gettheshothc
https://www.tiktok.com/@gettheshot666

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ORBIT CULTURE unveil new single ahead of 'Death Above Life (Deluxe Edition)' and major touring run 

Photo Credit: Orbit Culture

While touring the world over the past year, ORBIT CULTURE worked on Death Above Life (Deluxe Edition), the director's cut of their cinematic and highly successful latest studio album, which will be released on 9th October via Century Media. Today, ORBIT CULTURE would like to extend a heartfelt thank you to their fans with the release of the new single and video, 'Nuclear God'.

Watch the video for 'Nuclear God' here: https://youtu.be/3sYZPOSPlBM

Pre-order here: https://orbitcultureband.lnk.to/DeathAboveLife-DeluxeEdition

The band comment: "'Nuclear God' was originally released as a bonus track on the Japanese edition of Death Above Life. When we started going through all the footage we had gathered from the summer festivals, we wanted to turn it into something that felt like a tribute to our fans and the community that has grown around this band. The relentless chaos of 'Nuclear God' perfectly matched those moments. Riivata took all of that footage and brought it together into the video you see today."

Death Above Life (Deluxe Edition) is available in the following formats:

Ltd. Deluxe transparent sea blue-golden yellow splattered 2LP Artbook
Ltd. 2CD Mediabook
Digital album

Both the vinyl and 2CD editions include four additional tracks and a 40-page booklet. For this special release, the band opened up their photo archives, offering an intimate collection of live shots and behind-the-scenes moments.

The release of the deluxe edition also marks the beginning of another touring cycle for ORBIT CULTURE. First, they will join Amon Amarth's "The Allfather Awakens Tour" alongside Soilwork in Europe. Immediately afterward, they will embark on the second leg of Trivium's "The Crown in the Grave Tour" in USA/Canada, which also features In Flames and Frozen Soul.

 "The Allfather Awakens" Tour UK dates:

9th Oct (UK) Manchester - O2 Apollo
10th Oct (UK) London - Eventim Apollo
11th Oct (UK) Wolverhampton - Civic Hall

Orbit Culture are:

Niklas Karlsson - guitar / vocals
Richard Hansson - guitar
Fredrik Lennartsson - bass
Christopher Wallerstedt - drums

Orbit Culture online:
https://deathabovelife.com
https://www.orbitculture.com
https://www.instagram.com/orbitculture
https://www.facebook.com/OrbitCulture
https://www.youtube.com/user/OrbitCultureOfficial
https://twitter.com/orbitculture
https://www.tiktok.com/@orbitcultureofficial

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Dutch hardcore punks John Coffey release haunting grunge single 'Not Alone'

Photo Credit: Nick Helderman

Dutch rock powerhouse JOHN COFFEY return with 'Not Alone', the deeply personal title track of their upcoming album, released 9th October via Long Branch Records.

While the band famously captured global attention years ago with an iconic viral beer-catch moment, the story behind this new release stems from a far more profound human connection.

Dedicated to Niels van den Ham - a father of three who met the band through that viral moment and tragically took his own life two years ago - 'Not Alone' transforms personal struggle and grief into a rallying cry for mental health and community. Drawing a direct line between the solidarity of the mosh pit and everyday life, the track serves as a stark, powerful reminder that no battle needs to be fought in isolation.

Watch the video to 'Not Alone' here: https://youtu.be/dmbsQs1071c

Stream the new single and pre-order the album here: https://johncoffey.lnk.to/notalone

The band state: "Two years ago, when we had just started writing what would become our new album, we learned that Niels van den Ham had taken his own life.

"Niels was a father of three. We got to meet Niels through a moment that went viral years ago. After his death, people close to Niels reached out to us. They told us about the struggles he had been carrying, much of which seemed to remain hidden behind his big smile. We kept thinking about that.

"About how heavy life can become when you’re carrying something alone. How exhausting it can be to fight the same battle inside your own head, over and over again. How scary it can feel when you start believing that this is forever. That nothing will change. That you are the only one who feels this way.

"We wrote 'Not Alone' as a reminder that thoughts are not permanent. That speaking up can matter. To a friend. To family. To a stranger. To anyone.

"Because connection matters.

"It’s why the loud-music scene has always meant so much to us. You step into a room full of strangers. Then someone falls, and the people around them pick them up. Someone jumps from a stage, trusting dozens of hands to catch them. Bodies crash into each other, people scream the same words, and for a moment, a room full of strangers carries each other. That feeling is real.

"This song is for Niels and for everyone carrying weight on their shoulders: You’re not alone."

John Coffey built a reputation as one of the most explosive live bands in Europe - even becoming an internet sensation with the legendary “beer catch”. From Graspop to Sziget, Wacken to Pinkpop, Vainstream to Jera On Air, 2000trees and Hurricane/Southside - the Dutch group have played several of the biggest festivals, sold out the Melkweg in Amsterdam and even launched their own punk rock festival - Coffey Fest - to celebrate community and uncompromising music.

Never shying away from the world around them, John Coffey actively use their platform to speak out on social justice and political urgency. Armed with new music, a fierce activist ethos, and upcoming European tour dates, the band proves that engagement and heavy rock ’n roll are a perfect match.

John Coffey are:

David Achter de Molen (Vocals)
Alfred van Luttikhuizen (Guitar, Vocals)
Christoffer van Teijlingen (Guitar, Vocals)
Richard van Luttikhuizen (Bass, Vocals)
Carsten Brunsveld (Drums)

John Coffey online:
https://www.instagram.com/johncoffeymusic
https://www.tiktok.com/@johncoffeymusic
https://www.facebook.com/johncoffeymusic

Tracklisting:

1. Hang the choir
2. Not Alone
3. Push Push Push
4. It's you
5. Do not teach
6. Call of the bear
7. I don't care, I won't give up on you.
8. Time is up now
9. Hope in - Fear out
10. All bark, no bite

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Future Static rage about oppression in the world today on new single 'Swing'

Photo Credit: Beth Morrison

Australian breakthrough heavy act Future Static have unveiled their powerful new single 'Swing', taken from their new album Ornaments & Memories, out 6th November via Wild Thing Records. 

Watch the video to 'Swing' here: https://youtu.be/1g4Y1UyUT1g

Pre-order the new album here: https://orcd.co/ornamentsandmemories

'Swing' was written in reaction to the US Supreme Court repealing Roe v Wade and in anger at the political pendulum swing to the right in Australia and across the world, creating laws that reduce the rights of women, minorities and all oppressed people. The lyrics express resentment at the lack of empathy of the politicians and powerful people creating and lobbying for these laws and causing harm. The unrelenting riffs and crushing breakdowns only emphasise the fury.

Bassist Kira Neil comments: “'Swing' is for anyone feeling targeted and unsupported by the unjust systems of the world. We see you, we’re with you and we’re angry as hell”.

Future Static’s eagerly awaited second album displays a darker and more philosophical side than their debut LP Liminality, exploring internal and external conflict, growth, change and love. Amongst bouncy riffs and soul crushing breakdowns, passionate guitar solos and leads, dramatically stacked vocal parts and frantic drum fills, this album is musically and thematically inspired by the ebbs and flows of living in a rapidly accelerating world.

Melbourne five-piece phenomenon Future Static are carving their position among the one of the most exciting forces in modern metalcore. Following the success of their #1 Australian AIR-charting debut album Liminality (2023), the band have rapidly risen through Australia’s heavy scene and beyond, earning critical acclaim from Kerrang!, Metal Hammer, and Triple J, whilst touring extensively across Australia; including supporting Babymetal, Electric Callboy, Jinjer, Enter Shikari, Don Broco, Lacuna Coil and TesseracT. International touring has included EU/UK headline shows, supporting Ankor and Humanity’s Last Breath, and multiple prestigious European festival appearances; including Sziget (HU), Radar (UK), Reeperbahn (DE) and Euroblast (DE).   

Blending technical precision with melodic chaos, Future Static's sound is both striking and emotionally raw - a reflection of personal struggle, resilience, and self-discovery. Led by their breathtaking lead vocal tandem, a magical chemistry of electrifying front-woman Amariah Cook and bassist Kira Neil, and backed by guitarists Ryan Qualizza and Jack Smith, and drummer Jackson Trudel’s intense musicality and blazing fury, Future Static have taken Australia’s live circuit by storm.   

Future Static are:
Amariah Cook - Lead Vocals
Kira Neil - Bass / Vocals
Ryan Qualizza - Guitar
Jack Smith - Guitar
Jackson Trudel - Drums

Follow Future Static:

Facebook | Instagram | TikTok | Twitter | Spotify
 
Follow Wild Thing Records:
Web | Facebook | Instagram | Twitter | Spotify | YouTube

Tracklisting: 

1. Ephemeral
2. There's Nowhere Else To Go
3. Swing
4. Dream Suite
5. The Picture in You
6. Off The Map
7. Ornaments & Memories
8. State of Mind
9. Odyssey
10. Waterworks
11. Subcritical Flow
12. Lux

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Vesperian welcomes THE MOSAIC WINDOW and releases new single 'What Sage Could Not Cleanse'

Photo Credit: The Mosaic Window

Vesperian is pleased to welcome THE MOSAIC WINDOW, the black metal project of Andrew Steven Brown, to the roster.

On the band's next album, Answered Prayers — out 13th November 2026 — Brown pulls back from the more polished, prog-tinged death/black hybrid of 2024's Hemasanctum and returns to the band’s original core: first and second wave black metal, filtered through atmospheric rasps of despair and phantasmal, buried death growls. Across ten tracks, its nihilistic concept unfolds — humanity erased retroactively, centuries before the Industrial Revolution, as the only cure for a poisoned world.

Alongside the announcement, the band share the album's first single, 'What Sage Could Not Cleanse'. An older composition, it anchors Answered Prayers' back-to-roots direction: raw, stripped of any polish, a statement of intent — no ritual can purify what's already beyond saving.
 
Stream 'What Sage Could Not Cleanse' here: https://tr.ee/vesperian_themosaicwindow

Find the video to the song here: https://youtu.be/PPHt_ZuVOww
 
Answered Prayers was mixed and mastered by Alex Sedin (Ghostalgy Productions), with Dmitry Kim (Jinjer and others) on session drums.

The cover artwork was done by Luciana Nedelea (Mare Cognitum, Sepulchral Curse and others).

THE MOSAIC WINDOW are:
Andrew Steven Brown – all instruments, vocals

THE MOSAIC WINDOW online:
https://www.instagram.com/themosaicwindow/
https://themosaicwindow.bandcamp.com/
www.vesperian.world
www.instagram.com/vesperian.world/

Track list:

01 - Premonition of the Prophecy 
02 - The Fog Carries Plague    
03 - Serpentine
04 - Lightning Be Thy Guide 
05 - What Sage Could Not Cleanse  
06 - Blood and Chains
07 - Unsheathing the Fall of Man    
08 - Crusader  
09 - Echoes of Answered Prayers
10 - Devotion to my Burning Desire

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