Swedish high-energy rock 'n' roll legends THE HELLACOPTERS are very pleased to reveal a brand new single called 'Stay With You' via Nuclear Blast Records, the first new original Hellacopters song since the release of their triumphant, chart-topping comeback album, Eyes Of Oblivion, in April 2022.

Listen to 'Stay With You' here: https://hellacopters.bfan.link/swysg

Watch the music video for 'Stay With You' here: https://youtu.be/O3eU1s7KnA4

Unsurprisingly, 'Stay With You' picks up exactly where the band left off two years ago. It's a no-bullshit action rock stunner that cuts right to the chase and yet again the band has delivered a stylish music video to be released alongside, which was directed and edited by Emil Klinta.

Nicke Andersson (guitars & vocals) commented:
"We’re in the middle of recording our new full-length album which has no date of release just yet. In the meantime we’re very excited about the release of our new single 'Stay With You'. It was originally intended to be included on the upcoming LP but we decided to do a Beatles and release it as stand alone track with a B-side. 'Stay With You' is a straight up minor key rocker and it’s backed with our interpretation of The Cure’s 'Fire In Cairo'. We hope you dig."

'Stay With You' is out today on all streaming platforms.

The song will also be available as a limited 7'' single via Lightning Records. The B-side contains a cover version of 'Fire In Cairo' by THE CURE.

Pre-orders are live NOW at www.lightningrecords.se

THE HELLACOPTERS released their eighth studio album titled Eyes Of Oblivion on April 1st, 2022. It marked the first full-length since the release of their temporary farewell record Head Off in 2008, and was met with massive acclaim from fans and media alike. Charting at #1 in Sweden, #3 in Germany, #6 in Finland, the band celebrated a triumphant return culminating in a show with the mighty Iron Maiden in Gothenburg in July 2022, and gigs with Ghost in Germany in June 2023. In February 2024 their beloved classic album Grande Rock was rereleased on physical formats, featuring a re-worked companion piece with additional guitar, piano and vocal tracks called Grande Rock Revisited.

For more:

https://www.facebook.com/thehellacopters
https://www.instagram.com/thehellacopters
https://www.youtube.com/channel/UCCXYfoQipr6Unnyb-WKbkjw
https://linktr.ee/thehellacopters

Photo Credit: Nick Sayers

“If their last album sounded like it wanted to crawl into the corner and die, Deprecipice wants to kill you as swiftly & efficiently as it can.” - Metal Hammer

“...these are songs for when you’re at the end of your rope; when hopeless lyrics and vicious fight riffs make more sense than therapy or promises of better days..." – Decibel
 

After the resounding success of their highly praised album Deprecipice, the fierce sludgecore band Mastiff have enlisted the help of the Dublin-born, London-based industrial group Tayne to elevate the intensity to new heights on their latest remix release, 'Trapped Inside The Void'. Picture a dark and gritty fusion of a HM-2 guitar pedal, pulsating synths, and rapid-fire drumming reminiscent of Al Jourgensen's signature style, creating a sonic landscape that pushes the boundaries of heaviness and innovation.

Watch the visualiser for 'Trapped Inside The Void' here: https://youtu.be/F8EJ_7-uHag

Order Deprecipice here: https://mastiff.ffm.to/deprecipice.OYD

Comments Mastiff, “We didn’t think it possible that anyone could make Mastiff sound even more abrasive and obnoxious, but it turns out Tayne is even more irresponsible with human hearing than we are!” 

The evocative title 'Trapped Inside The Void' was inspired by Mastiff's partnership with the esteemed Nottingham brewery, Black Iris. This collaboration resulted in a robust and flavourful 7.2% NEIPA, brewed with a primary infusion of Citra Cryo hops and enhanced with subsequent dry hop additions of Cashmere and Mosaic Cryo. Check out the beer here.

Adds Tayne, “Mastiff are the purveyors of disgusting music so trying to make them sound heavier was never going to be achievable. We decided to go with a new Beta sequence on this one, we kicked up the “4d3d3d3” and added some “hat wobble” to the track. We are stoked with the results. Hopefully it’s something that people will listen to and say…'now Tayne I can get into'."

From their inception amidst the bleak backdrop of Kingston-upon-Hull in 2013, Mastiff has been unwaveringly dedicated to the pursuit of intensity. The five-piece band seamlessly melds elements of extreme metal, sludge, and hardcore to craft ferociously brutal sonic experiences. Their relentless commitment to innovation ensures that their music remains dynamic, unfiltered, and teeming with raw emotion.

Signing to MNRK Heavy three years ago, Mastiff’s commitment to blunt-force aggression remains untempered. Their 2021 album, Leave Me The Ashes Of The Earth, was described by Blabbermouth’s Dom Lawson as a “horrifying slab of disgust” and “a sustained scream in the face of uncontrollable madness”. Now comes its long-anticipated follow-up: Deprecipice – an album that, somehow, smacks even harder than anything this band have unchained before, produced by longtime collaborator Joe Clayton (Wallowing, Ithaca, Tuskar) at Manchester’s No Studio. The beguiling artwork that runs throughout the album is by Paul Phillips at the award winning True Spilt Milk Designs, another long time collaborator with the band. 

Unlike so many of their extreme metal peers right now, though, Mastiff didn’t source this rejuvenated savagery from the anxieties and frustrations of the COVID-19 pandemic. As the lockdowns ended and real life started to resume in 2021 and 2022, Hodge and Lee noticed the spirits of the world around them lifting. Feelings of trauma and isolation were beginning to enter people’s rear-view mirrors – and it was an overcoming that the duo couldn’t relate to. Lee was mourning the loss of his mother, while Hodge realised he was still grieving over the death of his five-day-old son, Isaac, in 2010.

As earnest as it is ferocious, with Deprecipice, Mastiff have made a magnum opus that bleeds with genuine pain.

For more information:
https://www.facebook.com/mastiffhchc 
https://twitter.com/Mastiffhchc 
https://www.instagram.com/mastiffhchc/ 
https://www.mnrkheavy.com

Find out more about Tayne:
https://tayneband.bandcamp.com
https://x.com/TayneBand
https://www.instagram.com/tayneband

About MNRK Music Group
MNRK Music Group is one of the largest independent music companies in the world, with recording, music publishing, and management divisions operating in every major music market. MNRK is committed to discovering and guiding top music creators and artists and works with some of the greatest musical talent, including The Lumineers and Pitbull, the music publishing catalog of Chuck Berry, plus premier music companies Dualtone Music Group and Last Gang. The company’s music department services Academy Award and Emmy Award-winning producers. Its catalog across divisions consists of 54,000 music tracks, including multiple GRAMMY winners and platinum-selling hits.

Deprecipice track listing:

1. Bite Radius
2. Everything Is Ending
3. Void
4. Cut-Throat ft. Ethan Lee McCarthy (Primitive Man)
5. Skin Stripper
6. Serrated ft. Harry Nott (Burner) & Dan James (XIII)
7. Worship ft. guitar solo by Rob Scott of Yersin
8. Pitiful
9. The Shape
10. Thorn Trauma

The world’s most prominent bass-driven instrumental rock act, Australia’s The Omnific, return with their second album, The Law Of Augmenting Returns, an audacious and magnificent triumph - to be released on 7th June 2024 via Wild Thing Records. 

The trio have just released their brand new face-melting track 'Will-O'-The-Wisp':

Watch the video here: https://youtu.be/2eNLM7zSPy0
Pre-Order/Pre-Save here: ffm.to/lawofaugmentingreturns

The band’s most progressive song to date, ‘Will-O'-The-Wisp’, is a beautiful labyrinth of grandiose proportions. An epic tale of many chapters, the song dances through bone-crushing riffs, memorable choruses, and eerie dreamlike sequences. The group are joined by the magical talents of Rohan Sharma (keyboards/programming, I Built The Sky) and Joshua Verco (double bass), forming a barrage of power and force. Additionally, Pranav Roy lends his trombone skills in subtle areas, adding a newfound edge to this monumental track. The Melbourne trio also experimented with a Fender Bass VI guitar for the strumming sections, and a vintage Madeira.

Bassist Toby Peterson-Stewart elaborates, “This song features quite a different sonic sound, when it comes to what we have done in the past, introducing many themes that we haven’t completely explored. This is the first Omnific song to feature a “Guitar”, the Fender Bass VI. It required 6 hands for us to fathom recording a guitar on one of our songs!”

The mythical music video was realised by the acclaimed duo of Jamie McVicker and Declan Blackall (Plini) [The Omnific - ‘Phat Mackerel’, ‘Base Camp’]. Their most expansive feature yet, building an entire visual world made up of dozens of unique virtual environments. McVicker comments, “When the boys first showed us ‘Will-O'-The-Wisp’, we were instantly transported to distant realms, with galloping chorus licks and orb-pondering atmosphere twisting through a near-8-minute runtime leaving us with only one choice. This was a story of wizards three, and The Omnific they would be.” The music video maps a classical fantasy epic, in sync with its sprawling musical arrangement. A darker aesthetic eventuated, inspired by the immersive world of the ‘Lord of the Rings' film series, and the mystical peaks of Skyrim from ‘The Elder Scrolls V’. 

The Omnific will be trailblazing their way through Europe & the UK, heading on their first ever summer festival run, alongside their most extensive array of headline shows in Europe to date. They’ll be making highly anticipated debut appearances at festivals; RADAR (UK), Vagos (PT), Brutal Assault (CZ), Arctangent (UK), and Fekete Zaj (HU). Led by their two other-worldly intertwining bassists, Matt Fack & Toby Peterson-Stewart, and backed by flamboyant drummer Jerome Lematua, The Bass Boys will be bringing a full tank of charisma, showmanship, and unbelievable technical performances from down under. 

Tour Dates:
28-Jul - United Kingdom - Manchester - Radar Festival
30-Jul - Germany - Oberhausen - Druckluft 
01-Aug - Spain - Barcelona - Razzmatazz 3
02-Aug - Spain - Madrid - Wurlitzer 
03-Aug - Portugal - Vagos - Vagos Metal Fest
04-Aug - Spain - Portugalete - Groove
06-Aug - Italy - Milan - Slaughter Club
08-Aug - Slovakia - Bratislava - Pink Whale
09-Aug - Czech Republic - Josefov - Brutal Assault Festival
10-Aug - Poland - Warsaw - Chmury
12-Aug - Germany - Hamburg - Hafenklang
14-Aug - Netherlands - Nijmegen - Merleyn 
16-Aug - United Kingdom - Bristol - Arctangent Festival
18-Aug - Hungary - Gyöngyös - Fekete Zaj Festival

Tickets On Sale Now - theomnific.com

The Omnific are a breathtaking progressive instrumental trio, hailing from Melbourne, Australia. 
 

Following the release of three groundbreaking EPs - Sonorous (2016), Kismet (2017), The Minds Eye (2019) - the band attracted interest, and fans from all corners of the globe. Their 2021 debut album Escapades achieved international critical acclaim - landing #3 on the Australian AIR Independent Album Charts, and cementing their status as torchbearers of the next generation of progressive rock and metal. Clay Gober of Polyphia featured on the single ‘Antecedent’, exceeding a combined 1 million plays on YouTube & Spotify. In 2023, the group went from strength to strength; supporting Polyphia in Australia, and Ne Obliviscaris in Europe and North America, capping off with a landmark 46-date world tour in support of single ‘Phat Mackerel’ - including festivals Euroblast (DE), Reeperbahn (DE), and Bigsound (AU). The group kickstarted 2024 with Mongolia’s The HU in Australia, profiling their outrageous musical versatility - which dives through prog, metal, djent, funk, synth-driven soundscapes, and more. The Omnific have also toured with renowned artists such as Between The Buried And Me, Intervals, Galactic Empire, Twelve Foot Ninja, and Cog. 

The Law Of Augmenting Returns explores the notion that the more effort you invest in your artistry, the greater the rewards you reap. This powerful trinity of bass and drums pushed their creative boundaries to unprecedented heights; a tremendous body of work transpired, traversing the intense, the emotionally charged, and the humorous, appealing to a wide range of musical palates. 

Bassist Matt Fack explains, “The Law Of Augmenting Returns is the culmination of the experience and knowledge learnt and embodied in the 8 years of our existence as a band. With our creative mindset to incorporate new ideas adhered to the core principle of bass, this album paints the story of the band’s past, present, and beyond.”

“a bright future for the instrumental outfit” - Metal Hammer (UK)
“a veritable masterclass in the art of the bass player” - Prog Magazine (UK)
“The Omnific never cease to entice, excite and amaze” - The Music (AU)

FollowThe Omnific:
Facebook | Instagram | Bandcamp |YouTube|Twitter|Spotify
 
FollowWild Thing Records:
Web | Facebook | Instagram | Twitter | Spotify | YouTube

01.    The Omnific ≈ Bass (Ft. Tim Waurick and Luke Taylor of Heartline)
02.    The Law Of Augmenting Returns (Ft. Charles Berthoud and Kai den Hertog)
03.    Matrices
04.    Base Camp
05.    Will-O’-The-Wisp
06.    Phat Mackerel
07.    Butterfingers
08.    Double Malt Ditty (Feat. Rohan Sharma)

Photo Credit: Fordtography

Future alternative metal greats Defences present their stunning new single/video 'Gold In The Dark' via Long Branch Records.

Watch the video for 'Gold In The Dark' here: https://youtu.be/ojVckyitLFI

Stream here: https://orcd.co/defences_goldinthedark

Previous single 'The Curse' struck the blueprint for Defences' new direction, and 'Gold In The Dark' is where it was solidified. Serving as a direct continuation of the story told in its predecessor, 'Gold In The Dark' recounts the first steps in self-acceptance. Being at peace with your inner darkness first requires you to embrace it, to really shine a light into the parts of you that you choose to hide. 

"I started reading, researching and practising the concept of shadow work during the lockdown years," comments singer Cherry Duesbury. "I realised there were parts of myself I was actively ignoring and pushing down, and it was contributing to why I was feeling so stunted, unhappy in myself and who I was in various ways. Coming across this concept and reading about the psychology behind it - which I've always been fascinated by and studied in school for a while - was really eye-opening and inspiring for me. These are some of my favourite lyrics I've ever written! And the ideas in this song sparked so much inspiration for this era of our band and the themes we explored, lyrically, musically and visually."

On the video, the band comment: "This is one of our favourite video shoots to date! We found an amazing derelict school out in Hereford where they run ghost tours. Once we got there and realised just how beautiful the building was, we decided it would be better to shoot each member in a different room rather than all bunch up in a room. This resulted in a huge amount of negative space in all of these shots, with huge rooms stretching behind as we’re performing, ending up this amazing eerie vibe. It felt a little bit like being in The Shining or The Haunting of Hill House!

"We also wanted to tie the newly established 'Shadow Cherry' to this location, so we showed her room from where she influences the world, resulting in the puppet strings effect seen in the video. This was great, but a lot of hard work to achieve! We had 2 metre-long metal poles with the other end of the ropes attached to them, so just know that any time you see one of us on screen with these ropes around us, all of the other members are just off-camera sweating buckets trying to keep them up!"

A proven hit on the live circuit, Defences have numerous U.K. tours with multiple sell-out headline shows under their belts, as well as festival appearances including Download, Takedown, Turbulence and Burn It Down. With soon-to-be-announced new material, live shows and the support of their strong fan community cultivated in their #TheHeart fan page, 2024 promises to be a big year for the quintet.

Defenses are:

Cherry Duesbury - Vocals
William Young - Keys, Vocals
Calum Wilmot - Guitar
Owen Hughes-Holland - Bass
Kyle Parke - Drums

Defenses online:
FACEBOOK
YOUTUBE
INSTAGRAM
HOMEPAGE
TIKTOK

Photo Credit: Heile Photography

Industrial metal project PAIN have celebrated the release of their new album I Am (17th May, Nuclear Blast Records) with their new music video for 'Don’t Wake The Dead'.

Filled with anthems like 'Don’t Wake The Dead' and the hit single 'Party In My Head', alongside atmospheric tracks such as 'I Am' and 'Fair Game,' the album seamlessly blends uplifting catchiness with introspective moments, marking Peter Tägtgren's most personal and boldest work to date. 

'Don't Wake The Dead' - written by Peter's son Sebastian Tägtgren can be viewed here: https://youtu.be/Ldil4-b0K64 
                    
Peter Tägtgren comments:
"The first time Seb showed me the song I was blown away, from the beginning to the end, so dark, yet so beautiful. After I heard the song I had a panic attack: "How do I sing on this? And what?"

Stream/Order I Am here: https://pain.bfan.link/i-am

It's 2021 and a pandemic is strangling the world - and no one seems to be having fun. Seemingly tireless music freak Peter Tägtgren couldn't care less as he hits the jackpot with - pardon the harsh language – a fucking catchy... well, party anthem. We are of course talking about the song ‘Party in My Head’ by Tägtgren's synth-infused metal project PAIN.

"I don't really know what it is about ‘Party in My Head’ that made - still makes - people go crazy for it... But what I do know for sure is that the song has already been enjoyed millions and millions of times. The numbers are pretty crazy! Of course, PAIN is no stranger to writing danceable and catchy, albeit metallic shit... It's always been in the DNA of this project. But let's face it: if the world really needs 'party anthems' from a cynical geezer like me, something's seriously wrong", Peter laughs.

Our beloved planet may be screwed, but there still doesn't seem to be much wrong in PAIN's world as 2024 ticks fast on the calendar. There simply can't be, because PAIN's eagerly awaited new studio album I Am is now here - yes, after eight years of devoted waiting.

"The previous record Coming Home came out in 2016 - and of course there was a tour after that. In 2019, I released an album called F & M with Rammstein singer Till Lindemann, a project I left in 2020. In 2021, it was time for my death metal band Hypocrisy to get active with a new album Worship - and of course we toured again. If that wasn't enough, let's add that there was a studio album with Joe Lynn Turner in 2022... In other words: the last eight years have passed in the blink of an eye", Peter sighs.

"After all this, it was the perfect time for PAIN to go full force again. I felt excited to say the least. Needless to say, the success of ‘Party in My Head’ gave the album process an explosive start!"

Let's get one thing straight: the powerful-sounding I Am is truly a versatile - if not the most versatile - musical missile in PAIN's rich discography. The new songs go everywhere with heavy industrial riffs, haunting melancholic vibes and groove-filled rhythms - without forgetting surprises, of course.

"There's no boundaries with PAIN. I just get an interesting idea for a song and along the way it can turn into anything. Sometimes I also like to deliberately surprise people by following an exciting musical path where unexpected things happen", Peter describes.

"If I had one big goal this time, it was to add more intensity and edge to the songs. Coming Home turned out great, but looking back now, I was maybe a little too deep into my 'David Bowie worship' with the orchestral stuff and the acoustic guitars. This time around, I definitely wanted more tempo, aggressiveness and an industrial atmosphere. Going back towards the old times of PAIN? Maybe a bit..."

“I Am is also more of a family affair than ever before. My son Sebastian - also a PAIN drummer - wrote the music of ‘Revolution’ and ‘Don't Wake the Dead’. These absorbing songs add width to an already versatile album. All in all, completing I Am required a lot of composing, writing, thinking, experimenting, doing and re-doing. It was a long and sometimes challenging process, but never painful!"

Speaking of surprises... What song will give fans the biggest wow effect this time?

"It must be ‘Go With the Flow’. I dare to insist that when it starts rolling, even the deep connoisseurs of PAIN music are wondering what the heck is going on here. I would say it's my 'Depeche Mode in the 80s' song'", Peter laughs.

"Lyrically, ‘Go With the Flow’ represents a slightly brighter moment in the darkness. I always tend to think that everything is going to hell, but with this song I tell myself, 'come on dude, let things be for once and go with the flow'."

There may be these rare rays of light from the beacon, but darkness still prevails.

"The album's title track starts with the line 'there's no hope in the valley of death'. And if I look at the lyrics, I could dig up a lot other examples of similar sinister moods. But hey, a sarcastic guy like me and such gloomy times we live in... Are you expecting some sunny faces here? Well, sunny or not, PAIN is going to be busy for the foreseeable future. There will be a lot of touring to support the record. Summer festivals, extensive tours here and there and more", Peter says.

"And what about the future anyway? Ask me again in eight years and there have been a few studio albums from different bands, a lot of gigs and something else. Yes, I am what "I Am"..."

For more:

Website: https://www.painworldwide.com
Facebook: https://www.facebook.com/OfficialPain
Twitter: https://twitter.com/_pain
Instagram: https://www.instagram.com/painbandofficial
TikTok: https://www.tiktok.com/@painband
YouTube: https://www.youtube.com/@pain

I Am tracklisting:

1. I Just Dropped By (to say goodbye)
2. Don't Wake The Dead
3. Go With The Flow
4. Not For Sale
5. Party In My Head
6. I Am
7. Push The Pusher
8. The New Norm
9. Revolution
10. My Angel
11. Fair Game

Photo Credit: Pete Ray

UK post-hardcore stalwarts Polar are back to electrify the music scene with their latest single, 'We Won't Sleep'. This powerful anthem of resistance, infused with intense lyrics and pulsating rhythms, is a relentless call to action. The track opens with a bold challenge to the status quo, intensifying into a declaration of unstoppable energy and change. Accompanied by a dynamic music video that captures the essence of rebellion, the song and its visuals stimulate the senses, portraying the urgency and chaos of revolution.

Watch: https://youtu.be/gELPOWU_Xk4

Stream: https://arisingempire.com/wewontsleep

In 2023, amidst significant lineup changes that led to the departure of several original members, founding vocalist Adam Woodford took the reins. Determined to turn adversity into opportunity, Woodford revitalised Polar by bringing on new members Stefan Whiting (bass), Bruno Consani (guitar), Simon Richardson (guitar), and Max Flohr (drums). This fresh lineup has injected new energy and perspective into the band, further amplifying the defiant and transformative message of 'We Won't Sleep'!

Since their formation in 2009, Polar have carved out a distinctive niche with their intense, chaotic sound and electrifying live performances. Over the past 15 years, they have built a solid reputation, establishing themselves as a powerful presence in the music scene.

This rejuvenated lineup has not only taken centre stage at Resurrection Festival but has also completed tours across Europe and the UK. Together, they have produced Polar's 6th studio album with Jack Murphy at Crystal Sound Studios, exploring the theme of change's destructive power. This album is considered by the band as their most impactful work to date. With renewed positivity and unyielding determination, Polar has reached new heights of strength and shows no signs of stopping.

Polar are:
Adam Woodford | vocals
Bruno Consani | guitar
Simon Richardson | guitar
Stefan Whiting | bass
Bradley Hanson | drums

For more information:

https://www.instagram.com/polaruk
https://www.facebook.com/polaruk
https://www.tiktok.com/@polaruk
https://twitter.com/polaruk
https://www.polaruk.co

Photo Credit: Dan Almasy

Pallbearer's highly-anticipated new album, Mind Burns Alive, is out now via Nuclear Blast Records.

To mark the release, the band have unveiled a video for the title track, directed by Dan Almasy - who created all the videos for the album. 

“This album is for everyone who has ever felt overcome by life’s negative turns, for those who have watched people you care about degrade into the shadows of themselves, for those who search for something to believe in, and come up wanting,” vocalist/guitarist Brett Campbell shares. “This world is hard; it will eat you up, and we must lift each other up in order to make it through.”

Watch the video here: https://youtu.be/ForlbXHLVIs

Purchase or stream Mind Burns Alive here: https://pallbearer.bfan.link/mind-burns-alive.ema.

Mind Burns Alive is available digitally, and on a variety of physical formats, including limited-edition vinyl, and CD, as well as a companion merch collection.

Pallbearer will be touring the album across Europe with Graveyard and Baroness in October and November. Brett Campbell comments: "We are elated to be bringing songs from Mind Burns Alive to Europe alongside Baroness and Graveyard. Playing alongside Baroness is always a treat, and we are looking forward to hearing our first time tour mates Graveyard every night, as well. Hope to see you on the road.”
 
The band has also confirmed three special European performances: The Copenhell Metal Cruise (Copenhagen to Oslo) from 25-27th October, Hell’s Ball Belgium (Kortrijk) on 9th November, and Helldorado in Eindhoven (The Netherlands) on 16th November. All ticketing links can be found at Pallbearerdoom.com.

Full dates:

October 25 – 27  Copenhagen, DK  Copenhell Metal Cruise *
October 29  Gothenburg, SE  Trägår’n **
October 30  Stockholm, SE  Fållan **
October 31  Copenhagen, DK  Amager Bio
November 2  Berlin, DE Huxleys Neue Welt
November 3  Krakow, PL  Klub Studio **
November 6  Milan, IT  Live Club
November 7  Zurich, CH  X-TRA
November 9  Paris, FR  L’Olympia
November 10  Kortrijk, BE  Hell’s Balls Belgium *
November 11  Wiesbaden, DE  Schlachthof
November 13  Munich, DE  TheaterFabrik
November 14  Hanover, DE  Capitol
November 16  Eindhoven, NL  Helldorado *
November 17  Cologne, DE  Carlswerk
November 18  Luxembourg, LU  Rockhall
November 20  London, UK  O2 Forum Kentish Town
November 21  Bristol, UK  Marble Factory
November 22  Manchester, UK  New Century Hall
November 24  Dublin, IE  The Academy
November 25  Belfast, UK  Limelight 1
November 26  Glasgow, UK  SWG3 Galvanizers
November 28  Nottingham, UK  Rock City
 
*-Festival performances
**-Baroness and Pallbearer only

Pallbearer are Brett Campbell (vocals/electric guitar/synthesiser), Devin Holt (electric and acoustic guitar/vocals), Mark Lierly (drums/percussion) and Joseph D. Rowland (vocals/bass guitar/synthesizer). The Little Rock, Arkansas based band formed in 2008 and have since released four albums: Forgotten Days (2020), Heartless (2017), Foundations of Burden (2014) and Sorrow and Extinction (2012). In their review of Forgotten Days, Pitchfork described the foursome’s music as “soaring majesty on an album that find a new way forward by refining their past,” Stereogum dubbed the collection as “warm and melodic and comforting,” while Revolver said the songs are “sweeping and melancholic” living “between the majesty of vintage Black Sabbath and the morbid romanticism of Type O Negative.” Decibel have featured the band on their cover multiple times, declaring the band’s unique musical vision as “intense, emotional thunder.”

Pallbearer are:

Brett Campbell – Vocals, Guitar
Devin Holt – Guitar
Joseph D Rowland – Bass, Vocals
Mark Lierly – Drums 

For more information:

Pallbearerdoom.com
Pallbearer.bandcamp.com
Instagram.com/pallbearerdoom
Facebook.com/pallbearerdoom

Mind Burns Alive track list:

Where The Light Fades
Mind Burns Alive
Signals
Endless Place
Daybreak
With Disease

Photo Credit: Matteo Vdiva Fabbiani for VD Pictures

Today, POWERWOLF present the long-awaited first single from their upcoming studio album, Wake Up The Wicked, out 26th July via Napalm Records.

'1589' tells the story of Peter Stump, who lived near Cologne, Germany in the 16th Century and is known today as the "Werewolf of Bedburg". After being defamed as a werewolf, the farmer confessed to several murders under torture, and was cruelly executed on 31st October 1589. This morbid story has fascinated people all over the world ever since and has been picked up by National Geographic, among others.

For the video for '1589', POWERWOLF travelled to England to stage Stump's fate in the dark woods in a cinematic way. With carefully selected locations, countless actors and crew members and impressive special effects, it marks the most elaborate music video production in the band's history to date - and thus offers a worthy first taste of what fans can expect with Wake Up The Wicked.

Watch the video here: https://youtu.be/5S0-oP9JsL0

POWERWOLF are undoubtedly one of the most successful current heavy metal bands worldwide. Headline and premium slots at premier rock and metal festivals like Wacken, Hellfest and Graspop, as well as massive sold-out arena shows have further solidified the Wolfpack’s standing at the very top of the scene. POWERWOLF’s high quality releases are steadily praised by critics and fans alike, building upon the successful reach of their songs and impressive official music videos, which have been streamed tens of millions of times across platforms to date.

Pre-order Wake Up The Wicked here: https://lnk.to/PW-WakeUpTheWicked

Wake Up The Wicked – the highly anticipated successor to the extremely successful previous studio album, Call Of The Wild (2021) – will be released just in time for the award-winning band’s first ever full North American tour, starting in August 2024, followed by their biggest European headline tour to date, the Wolfsnächte 2024. Wake Up The Wicked is once again produced by the outstanding Joost van den Broek at Sandlane Recording Facilities and marks a new benchmark and undisputed career highlight for the band. The new album is hard, surprising and full of variety. While staying true to their established, loved sound, POWERWOLF go one step further and showcase a different facet of their deft musical and technical skills. This is evident, for example, on the outstanding single '1589', which is based on a true story from the 16th Century. 

20 years after their formation in 2004, POWERWOLF are expanding their repertoire with the highest quality and adding many future live hits to their extraordinary discography. Wake Up The Wicked is yet another statement cementing the status of the band as a leading force in the world of heavy metal.

Wake Up The Wicked Tracklisting:
1.    Bless 'em With the Blade
2.    Sinners of the Seven Seas
3.    Kyrie Klitorem
4.    Heretic Hunters
5.    1589
6.    Viva Vulgata
7.    Wake Up the Wicked
8.    Joan of Arc
9.    Thunderpriest
10.   We Don't Wanna Be No Saints
11.   Vargamor

POWERWOLF 2024 North American Tour:
w/ Unleash The Archers

Aug 29: Los Angeles The Hollywood Palladium, CA
Aug 31: Denver The Ogden Theatre, CO [low tickets]
Sep 03: Chicago The Riviera Theatre, IL
Sep 04: Cleveland The Agora Theatre, OH
Sep 05: Silver Spring The Fillmore, MD
Sep 07: Tampa Jannus Landing, FL
Sep 08: Atlanta The Masquerade, GA [sold out]
Sep 09: Charlotte The Fillmore, NC
Sep 12: Philadelphia The Fillmore, PA
Sep 13: Worcester The Palladium, MA
Sep 14: New York City, Brooklyn Paramount NY
Sep 15: Laval Place Bell, QC

POWERWOLF Wolfsnächte 2024 dates: 
w/ HammerFall, Wind Rose

Oct 04: DE Hamburg Barclays Arena
Oct 05: NL Amsterdam AFAS Live [low tickets]
Oct 06: BE Antwerp Lotto Arena
Oct 09: FR Nantes Zenith
Oct 10: LU Esch Sur Alzette Rockhal
Oct 11: DE Stuttgart Schleyerhalle
Oct 12: DE Frankfurt Festhalle
Oct 14: IT Milan Alcatraz
Oct 16: CH Zürich The Hall
Oct 17: FR Paris Zenith [low tickets]
Oct 18: DE Oberhausen Rudolf Weber Arena
Oct 19: DE Berlin Velodrom
Oct 21: PL Krakow Tauron Arena
Oct 22: HU Budapest MVM Dome
Oct 23: AT Vienna Gasometer [sold out]
Oct 25: DE Munich Olympiahalle
Oct 26: CZ Prague Sportovni Hala Fortuna

POWERWOLF are:
Attila Dorn – vocals
Falk Maria Schlegel – organ
Charles Greywolf – guitar
Matthew Greywolf – guitar
Roel van Helden – drums

More Info:
HOMEPAGE
FACEBOOK
INSTAGRAM
NAPALM RECORDS

Powerwolf Wake Up The Wicked tracklisting:

1.    Bless 'em With the Blade
2.    Sinners of the Seven Seas
3.    Kyrie Klitorem
4.    Heretic Hunters
5.    1589
6.    Viva Vulgata
7.    Wake Up the Wicked
8.    Joan of Arc
9.    Thunderpriest
10.    We Don't Wanna Be No Saints
11.    Vargamor

Photo Credit: HelloBipo

German trio Future Palace have released a video for their brand new single 'The Echoes of Disparity', out now via Arising Empire. The track is taken from the band's upcoming album Distortion which will be released on 6th September.

Check out the video for 'The Echoes of Disparity' here: https://youtu.be/mTxV0uJlAtw

Stream 'The Echoes of Disparity' here: https://arisingempire.com/theechoesofdisparity

'The Echoes of Disparity', featuring a standout collaboration with Charlie Rolfe from As Everything Unfolds, makes a strong statement regarding societal pressure and control over women's bodies. Maria showcases an impressive vocal range, transitioning between powerful shouts and crystal-clear vocals, adding depth and emotion to the song's important message.

The world is a firework of overstimulation, and Future Palace have dedicated their upcoming album Distortion, to this feeling of overwhelm. On the new record, the band delves into the nearly oppressive mass of mental illnesses and societal problems, creating music that, fittingly, delivers more hooks than ever before, shifting seamlessly from the quietest depths to the loftiest heights. While their previous album, Run, leaned toward musical extremes, Distortion is the ultimate culmination of all the tones Future Palace have absorbed on their Europe-wide journey as one of the most exciting acts in alternative guitar music.

Future Palace's music has always explored internal struggles, and Distortion is the brutal climax of this approach. The album title, derived from the psychological term cognitive distortion, reflects a world where changing perceptions trap individuals in recurring pitfalls. Distortion addresses various mental illnesses and personal struggles, from ADHD to depression to narcissism. The band's third album is a powerful force of emotions, cycles, and cries of desperation, overwhelming listeners with its intensity.

The band's creativity shines as they tackle demanding topics with fresh perspectives. On Distortion, they build on their previous work by incorporating new elements, like orchestral interjections in 'The Echoes of Disparity', which combines brutal screams and chant-like passages to convey psychological struggle. 'Panic Paralysis' features a massive vocal motif with an arabesque touch, while 'They Take What They Want' dives into emotional depths, blending raw metalcore with gentle vocal passages and massive choirs.

Despite the album's emotional intensity, Distortion was created amid excessive demands. Produced by Julian Breucker and Christoph Wieczorek, known for their work with Annisokay, Beyond the Black, and Smash Into Pieces, the recording process was grueling. Singer Maria Lessing recorded the album with a root infection and after wisdom tooth surgery, adding stress but enhancing the songs' authenticity. Guitarist Manuel Kohlert notes that the album reflects the band's experience as a heavy touring band, capturing the feelings of being on the road and contemplating their existence.

Despite its challenges, Distortion carries a piece of hope. 'Decarabia' tells a bittersweet story about a depressed couple, while 'The Echoes of Disparity', featuring Charlie Rolfe of As Everything Unfolds, is militantly rebellious, addressing abuse of power and the oppression of women. Lessing emphasizes the importance of female support to convey the song's message loudly.

The album features the most powerful metalcore breakdowns meeting trembling darkwave beats, anthemic emocore refrains à la Bad Omens contrasted with sacred choirs, and the coldness of industrial clashing with the powerful emotionality of Sleep Token, making Distortion an album like a manifesto.

Tour dates:
17.10. DE Nuremberg, Hirsch
19.10. HU Budapest, Analog Music Hall
22.10. CZ Rague, Rock Cafe
23.10. PL Warsaw, Hydrozagadka
24.10. PL Gdansk, Drizzly Grizzly
26.10. FI Helsinki, On the Rocks
28.10. SE Stockholm, Kollektivet Livet
29.10. DK Copenhagen, Pumpehuset
30.10. NO Oslo, John Dee
31.10. SE Gothenburg, Musikens Hus
01.11. DE Hamburg, Gruenspan
02.11. DE Bremen, Schlachthof
28.11. DE Hanover, Musikzentrum
29.11. DE Frankfurt, Batschkapp
30.11. DE Cologne, Kantine
02.12. FR Paris, Supersonic Records
04.12. UK London, The Garage
05.12. UK Manchester, Rebellion
06.12. BE Antwerp, Trix
07.12. NL Amsterdam, Melkweg
09.12. DE Stuttgart, club Cann
10.12. CH Bern, Stellwerk
12.12. CH Zurich, dynamo
13.12. DE Munich, Backstage Werk
15.12. DEBerlin, Huxleys

Festivals 2024
13.06 - 15.06. CH, Greenfield Festival
15.06. AT, Nova Rock Festival
21.06 - 23.06. DE, Full Force Festival
23.06. BE, Graspop Metal Meeting
26.06 - 29.06. ES, Resurrection Fest
31.07. - 03.08. DE, Wacken Open Air
14.08 - 17-08. DE, Summer Breeze Open Air
15.08 - 17.08. DE, Reload Festival
15.08 - 18.08. FR, Motocultor Festival

Future Palace are:
Maria | Vocals
Manuel | Guitar
Johannes | Drums

For more information:
https://www.facebook.com/futurepalace
https://www.instagram.com/futurepalaceofficial
https://tiktok.com/@futurepalace
https://twitter.com/futurepalacede
https://www.future-palace.de

Tracklist
1. Uncontrolled
2. Malphas
3. Panic Paralysis
4. The Echoes of Disparity feat. Charle Rolfe from As Everything Unfolds
5. Dreamstate
6. Decarabia
7. in Too Deep
8. Rays of Light
9. A Fool on a Devil's Reins
10. They Take What They Want
11. Amethyst