With their fourth album Viribus Unitis out tomorrow, 14th November, via Napalm Records, Ukrainian death metal force 1914 release one last crushing single. '1918 Pt. 3: ADE (A Duty to Escape)' enlists Aaron Stainthorpe’s (formerly of My Dying Bride, High Parasite) hauntingly dark vocals to their sound storm. Fusing blackened death-doom with vivid historical storytelling, they deliver a crushing portrayal of resistance and survival. We follow the concept album’s protagonist, Ivan, through his escape from devastating captivity into new horrors of war, uncompromising, evocative and unforgettable. Along with the single comes an animated video by Costin Chioreanu.
Watch the video here: https://youtu.be/-pN7DggXfvU
Order Viribus Unitis here: http://lnk.to/1914-ViribusUnitis/napalmrecords
k.u.k. Galizisches IR Nr.15, Gefreiter, Ditmar Kumarberg about '1918 Pt. 3: ADE (A Duty to Escape)' :
“The final single and video, ‘1918 Pt. 3: ADE (A Duty to Escape)’, was created in collaboration with two geniuses: the master of animation, Costin Chioreanu, and the genius of liturgical, soul-piercing vocals that you could never mistake for anyone else, Aaron Stainthorpe. This is a story of unbreakable will to live, of the burning thirst for freedom and love. A story of faith in friendship, and the strength that comes from those who stand beside you. Where one falls, together, you rise. You conquer the freezing mountains, the deep snows and even captivity. Beside you are your brothers-in-arms, the ones who lift you in the darkest hour.
‘Those who survived enemy fire – refuse to lose their friends’: And when old values collapse, and the world you knew fades, the only thing holding you together is love. Love for a daughter. For a wife. For your family.
‘The only hope that I care is to meet my daughter and wife’: Love, friendship, and mutual support, the things that make us human. Especially in times of war.”
Viribus Unitis deepens 1914’s commitment to historical authenticity, both lyrically and conceptually. Told through the personal accounts of a Ukrainian soldier in the K.u.K. army, the album follows real events, tracing a timeline from 1914 to 1919, and paints a grim journey through the war’s rise, climax and hollow aftermath.
With Viribus Unitis, Latin for “With United Forces”, 1914 once again attest their unflinching brutality. More than just the personal motto of Franz Joseph I, the former emperor of the Austro-Hungarian Empire, this title directly speaks to the band’s resilience through war, loss, and upheaval, a powerful symbol of survival and solidarity. The album builds on the band’s acclaimed conceptual approach, reaching new emotional depths and musical intensity.
Continuing their chronicle of World War I, 1914 shift their focus from the raw portrayal of death and destruction, to exploring themes of camaraderie, endurance, and the emotional landscapes of those who endured the horrors of trench warfare. While previous releases like The Blind Leading the Blind (2018) and Where Fear and Weapons Meet (2021) centered on the futility and finality of war, Viribus Unitis exemplifies the interpersonal bonds forged under fire and the strength of those warriors who made it home: broken, changed, yet still alive.
Musically, 1914 remain true to their identity, a brutal mixture of blackened death metal, slow-burning doom, and ambient war soundscapes. This time, however, their sound gains a broader dynamic range, with soaring melodic leads, orchestral textures, and haunting clean vocals that provide dramatic contrast to the crushing heaviness.
1914 about Viribus Unitis: "Viribus Unitis is about shared strength and the idea that true power lies in unity. Alone, one may fall, together, we can prevail and achieve our goals: Defeat the enemy, escape captivity, survive and return to your family. We return with a new story. A story of life and military valor of a soldier who encountered the Great War in his native city of Lviv and went through it all. Side by side, with joint efforts of Ukrainians, Poles, Hungarians, Slovenes, Czechs, Slovaks, Jews, Croats, Bosniaks, Germans – all the peoples who made up the vast Austro-Hungarian Empire. Empires did not count people – they threw them into meat grinders where survival was only possible through unity. By helping one another. By sacrificing yourself for the sake of your loved ones and comrades.
"This is a story of being blinded by war and the grandeur of the empire, of the heat of battle, realisation and acceptance of reality, awakening, changing values, captivity, and liberation. It is a story of unbreakable will to live and hope amidst a terrifying and bloody war. It is a story of a new little life that changes all the rules and forces one to see the familiar from a different perspective. It is a story of love. It is a story of loss and death. Viribus Unitis is when pain, death, loss, loneliness and fear encircle you. But you’re still unbroken!"
One of the album’s highlights is a collaboration with Aaron Stainthorpe of My Dying Bride and High Parasite on '1918 Pt. 3: ADE (A Duty to Escape)', whose mournful voice adds a solemn, almost liturgical quality to this elegy of grief and brotherhood on the front lines. Viribus Unitis deepens 1914’s commitment to historical authenticity, both lyrically and conceptually. Told through real events and personal accounts of a Ukrainian soldier in the K.u.K. Army, the album traces a timeline from 1914 to 1919, painting a grim journey through the war’s rise, climax, and hollow aftermath. From the brooding opener 'War In' to the bleak closer 'War Out (The End?)', each track captures a moment in time: the brutal '1914 (The Siege of Przemyśl)', the frostbitten '1915 (Zwinin Ridge)', the crushing Alpine combat of '1916 (Südtirol Offensive)', and the madness of '1918 Pt. 2: POW (Prisoner of War)' featuring Christopher Scott of Precious Death. The album ends with '1919 (The Home Where I Died)', featuring Rome’s Jerome Reuter, a haunting portrait of a soldier who survived the war, but not its shadow. This emotional song deals with the soldier's will to live and his family values, seeing him escape from captivity to finally return home to embrace his wife and daughter. 1914 fuse blackened death metal, doom, and atmospheric textures with dramatic flourishes and guest vocals, creating their most dynamic and emotionally resonant record to date.
1914 are:
K.K. LIR. Lemberg Nr.19 Fähnrich, Rostislaw Potoplacht – Drums
k.u.k. Galizisches IR Nr.15, Gefreiter, Ditmar Kumarberg – Vocals
K.K. LIR Czernowitz Nr.22 Oberleutnant, Witaly Wyhovsky – Guitar
K.K. LIR Stanislau Nr.20 Zugsführer, Oleksa Fisiuk – Guitar
k.u.k. Galizisch-Bukowina’sches IR Nr.24, Feldwebel, Armen Howhannisjan – Bass
1914 online:
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